Film
Jonathan Majors is on the redemption route. For what he will not say

Throughout the entire implosion of his Hollywood profession, from His arrest almost exactly two years ago to harass him and beliefs about the assault, Jonathan Majors He claimed that he never hit a lady.
But on Monday, when Majors was during the return of the PR trial and pressure, which turned him to the covers of the magazine, Rolling Stone published audio recording of conversations between the major and Grace Jabbari. Majors was found guilty of 1 assault allegation and one violation of the harassment To the Jabbari strike In the head with an open hand and breaking the middle finger, squeezing him.
“I threatened you,” admits Majors in the recording, confirming her description, which stewed her and pushed her into the automobile. The recording gave the impression to be contrary to the previous claims of the Major and lift his redemption route His movie “Magazine Dreams” It opens in cinemas on Friday.
In an interview with the Associated Press on Wednesday, Majors refused to unravel the recording and whether he attacked women.
“I can’t answer it,” Majors replied. “I can’t talk to it.”
Majors says he has modified, but not everyone is convinced
Directions that were doomed to a trial period and decided by a lawsuit from Jabbari In November, he strives for an especially fast reflection after a violent fall. Before the arrest in March 2023, Majors headed towards Years of Marvel’s fame And a possible nomination for an Oscar for the “Dream magazine” by Elijah Bynuma, wherein he plays Zakład Niechprawy, aspiring a bodybuilder susceptible to rapid explosions.
Two years later, Majors returns to the public with the promise that he has modified only just a few months after the age of 12 months Advice on domestic violence in court. At the same time, he does not directly address any of the allegations against him – including those of the previous two partners, Emma Duncan and Maury Hooper, who in the statements submitted a pre -trial, intimately violence physically and emotionally offensive, which have some similarities to Jabbari’s case.
“This is not something I can talk about in accordance with the law,” says Majors. “One day I told my wife, I modified. I do not recognize myself. I do not recognize this guy. I’m in a totally different place. I even have little question that I used to be a confusion. This guy did not have tools to cope with him. I do not know if I like this guy.
Majors, who sat at a conversation at the Hotel in Manhattan with no current journalist, talked about his experience of the last two years – apart from every little thing that is particularly related to conviction, additional allegations of abuse or women who say they’ve hurt them. Despite the indisputable fact that he never called the offense, Majors claims that he is reformed.
“I would tell everyone who cares about listening: I had two years of deep thought, mediation and chewing about myself and my actions, my community, my industry,” he said. “I’m stronger now. I’m smarter now. I’m better now.”
Not everyone is convinced. Hooper, who met the directions at Yale Drama School and died with him in 2013–2015, described a traumatic and controlling relationship. A 12 months after the end of their relationship, Majors learned that he had a relationship with someone he knew, she said. According to Hooper’s statement, Majors called her and embarrassed her for the abortion he encouraged and told her to kill her.
“The level of anger I have experienced from this man, I do not know that you will exist it from life or behavior in just 52 weeks,” said Hooper AP. “People go to therapy for years. For years I went to therapy after Jonathan Majors to regain my mind.”
Hooper and Duncan’s statements were ultimately not allowed as evidence during the trial, but remain public. Advocates for the major ones denied some claims, describing each relations as “toxic”.
Duncan, who arranged and was involved in the directions in 2015-2019, described in his statement not less than eight physical or dangerous meetings. She said that in a quarrel in 2016 while driving at Chautauqua in New York he threatened to stop her and kill her. At the SPA in Santa Fe, New Mexico, she discovered SMS between the major and other woman and started to pack to depart. He pushed her on the couch and started to choke her, saying that he was going to kill her, said Duncan. (She did not reply to the message e -mail from AP, in search of a comment. Lawyers for Jabbari did not answer e -mail).
“There is a documented story of 10 years of abuse of women in whom she calls women” whores “, calls us” fat whores “, tells us to kill ourselves,” says Hooper. “When I hear people say,” Come, why cannot he return to the sheepdog? “I don’t know if these people read it or understand that we talk about the pattern.”
Another #metoo test in Hollywood
Changed political climate and the previous couple of cases, including overthrowing Harvey Weinstein’s sexual conviction in New York, He suggested that Hollywood entered the recent chapter in the #metoo movement. Trying to return Majors is considered one of the most striking tests of cancellation curbs and #metoo vindication.
“We suffer a period of huge political restriction and reaction in this movement,” he says Debra Katz, lawyer for civil rights who was represented by Christine Blasey Ford, prosecutor of the Supreme Court Brett Kavanaugh, together with the prosecutors of Weinstein. “A lot of what we fought for seems to be on the line.”
But women are still approaching, and Katz believes that corporations and industries will pull the accused to be responsible. For your part, Majors, who was fell from all projects after his conviction, No recent movies were announced. “Magazine Dreams”, which debuted at the Sundance Film Festival in 2023 before his arrest, after which was dropped by SearchLight photos, there is Published by Briaarcliff Entertainment, independent distributor “Student”.
“Jonathan made a mistake. There was a suitable process. Justice was served. And then we go further, which in my opinion is generally as we thought that this country is working,” said Tom Ortenberg, general director of Briarcliff on Thursday. “We are dealing with two elections: Should” Dreams of a magazine “be visible? Or maybe we should burn negative? “
Many A-Listers, including Michael B. Jordan and Matthew McConaughey, were in favor of Hollywood’s return to Hollywood. Despite this, Katz believes that the return of Majors will ultimately disseminate, because he did not transcend the strategy of what he describes as “getting a good PR company and show my soft side.”
“I think it will suffer a significant number of reasons,” says Katz. “He was not the owner of this behavior. He did not apologize. The only thing that seems to regret is that he was caught.”

The past’s past and where it occurs
For his major self -control, he focused more on the previous experience, which he suggests, was at the root of what he calls his confusion.
“There were many trauma that was complex and ignored. The best way to describe it is as an energy that unfortunately was there,” says Majors. “I fed the wrong wolf. And this wolf became unparalleled. I was really good in quick movement and crossing the angry wolf of trauma. The best thing that I could have happened to me – not for my career, but for me – it had to be faced with that.”
Majors, who raised his mother pastor in Texas after his father left, says from 9 to around 13 years, he was a victim of many cases of sexual abuse, says: “Two family members and friends of my sisters who were older than me – were older than her.”
“It seemed that children were children, and then it quickly became something different,” says Majors. “And then it became a model.”
Majors only recently began to fight the past, he says, working on it in therapy and conversations together with his family. A conversation together with his sister, he says, woke up memories.
“It was an experience that I just killed in my head,” says Majors, tearing up.
“This is not a BOO-HOO-BRO situation, such a sad-for you,” he says, wiping tears. “It’s life. It’s a hand you give away and I didn’t know how to play these cards. I’m learning to play these cards.”
Now, as Majors says, he was never happier. On Tuesday, He and Meagan good They were a marriage in a small, improvised ceremony in Los Angeles, who was culminated by his mother. “We called the family and said:” Hey, jump on the guy, “he says, calling it the best day of his life.
“Magazine’s dreams,” he thought, he would never see the light of day. But now he hopes It can work again.
“I understand now that acting is in many respects my service. In many respects it’s my calling,” says Majors. “If this is not the case, I am waiting for someone to tell me. I am waiting for God to tell me. He didn’t say it.”
(Tagstotranslate) @Ap
Film
“Sinners” by Michael B. Jordan and Ryan Coogler is the number 1 at the ticket office, earning $ 45.6 million at the opening weekend

As expected, the film “Sinners” by Ryan Coogler, with the participation of Michael B. Jordan, was an enormous success at the ticket office at the opening weekend. According to Diversity“Sinners” reached first place at the ticket office, earning about $ 45.6 million in the USA and $ 15.6 million abroad, which is $ 61 million of their global debut.
“When we still try to introduce a number of films to filmmakers, we are glad that Ryan Coogler Sinners’ original film (…) resonated with the audience in such a star way,” said in an announcement Mike de Luca and Pam Ryan Abdy Ryan Ryan Bros. Motion Picture Group for a thr. “Movies have the power to transport us to the worlds seen only on the big screen, and Warner Bros. Pictures remains involved in providing individual experience in the theater among viewers looking for bold films, both original and based on beloved existing real estate.”
“Sinners” not only defeated “Minecraft Movie” from place 1, but apparently it is also the best starting of the original film since Jordan Peele’s “US”, who reached $ 71.1 million at the opening weekend in 2019. However, money sales should not the only thing that makes Coogler’s film observed. When negotiating the production of a movie with studies, Coogler reportedly asked to take care of the final reduction of the film, the percentage of revenues from the money register, and not waiting for a return, and most significantly, Property of “sinners” 25 years after its release.
“My uncle James was from Mississippi, he was born there and raised. I was very close to him and was my introduction, my point of entry into the blues (because) listened to him when I spent time with him,” explained Coogler. “After my death in 2015, I listened to CDs with a renovated perspective and a desire to understand my uncle again, although he was not here anymore. And thanks to these research I found the motivation to make this movie.”
With an almost ideal rating at Rotten Tomatoes, vampires Horror tells everyone talking. In 1932, Mississippi, “Sinners” appears in Jordan in double roles as an identical twins that smoke and piles that return to his hometown to open Juke Juke. But things are taken by an unexpected phrase when the great opening of dual entrepreneurs, which was to be full of music and fun, is interrupted by vampires. Delroy Lindo, Hailee Steinfeld, Wunmi Mosaku and Pękaw Miles CatonThe sinners make clear the blues delta, spirituality and way more.
(Tagstranslate) Entertainment
Film
Storm Reid: Actress and spokesman for diversity in entertainment

Storm Reid has been in the industry for over 10 years, with a complete variety of performances recognized by critics already in its CV. He can also be famous for its cooperation with the predominant brands, speaking about representation and other vital problems and difficult standards in the entertainment industry.
Learn more about this shiny star, in this movies and television programs Storm Reid, its origin and its spokesperson.
Cultural origin and heritage
Storm Reid was born on July 1, 2003 in Atlanta, Georgia. Her father comes from Jamaican and African-American origin, and her mother has African-American and European-American origin.
Impact of identity on skilled elections
Storm often chooses movies and television programs that tell black narratives. In “When the sees us” by Ava DuverNay, Storm plays the figure of Lisa, who’s in a relationship with one among the Central Park Five, five African -American teenagers falsely convicted of raping a white woman in New York.
Representation in the media
Talking to the Instyle magazine, Storm says that he chooses projects as a chance to “represent people and situations of insufficiently represented.” Together with the mother and sister, co -founder of Seed & Wings, a production company that gives greater high -quality roles for black contractors.
Spokeswoman for diversity in entertainment

Fans love a storm for difficult industry standards and attempt to make film and television industries more positive places.
Impact on industry standards
Storma was open to improving standards in the entertainment industry, especially for African -American women. For example, she said that she continues to be to be done for television and film scenes to be an environment that features black hair. Thanks to its huge supporters, such comments can affect the industry and encourage studies to make positive changes.
Change of narrative in film and television
One of probably the most famous roles of Storm is Meg Murray in Disney “A Wrinkle in Time” based on the book Madeline L’Engle. The film, also organized by Ava DuverNay, as the primary with a budget of $ 100 million directed by an African -American woman, which is a major change in the entertainment industry.
By promoting the film, Storm said:
“We all inspire girls in color and African-American people to see that they are powerful, and know that they can be on the screen-that they are not only a stereotype and can be much stronger that they can see and believe.”
Noteworthy performances

Despite the proven fact that he’s so young, Storm already had a powerful profession in the entertainment industry. There can also be far more for fans, including the cooperation of Storm Reid and TEYANA Taylor and a brand new series made by the manager director called “Jazzy Jumpers”.
Roles in regards to the turn
After appearing on the tv program “A Cross to Bear” Storm switched to a big screen in which he appears in the film “12 years of slave” from 2012 and the “Sleight” superhero. From there, she took the leading roles in which “Wrinkle in Time” perform with Oprah Winfrey, Reese Witherspoon and Mandy Kaling.
Early awards for her acting are the Storm Reid’s Rising Star Award award in the course of the second annual Bether Awards dinner.
Recognition and recognition of critics
One of probably the most respected roles of Storm is Gia Bennet in “Euphoria”, the HBO series, in which Zendaya also appears. (Storm won’t appear in the “Euphoria” season.) She also demanded attention after appearing in the episode “The Last of Us” “Left Behind”, which was broadcast in 2023. Storm won each the unique Emmy and Black Reel Award for its role.
Cooperation and partnerships

Like other stars, Storm has been cooperating with various organizations for years, especially in the cosmetics industry.
Kiss Colors & Care Initiative initiative
In 2024, the textured Hair brand Kiss Colors & Care announced Storm as the most recent brand ambassador, and the star says that she was enthusiastic about cooperation with the corporate and celebrates “confidence, expressing herself and the beauty of diversity.” Thanks to the partnership, Storm hopes to encourage other people to simply accept the “uniqueness” of their beauty and “express themselves fearlessness.”
Other significant projects
Storm is a brand ambassador in Prada and appeared in many promoting campaigns of the corporate. He also designs the Pacsun swimsuits line and has previously worked with New Balance.
A task model for beginner actors

In addition to the favored film star, Storm has change into a job model for individuals who need to enter the industry.
Strengthening the following generation
According to Bombshell, Storm has a positive impact on young and aspiring actors and actresses because of its composure, intelligence and spokeswoman in social issues:
“He is constantly using his platform to speak about public issues, including misleading and less diversity in Hollywood. She is also a supporter of mental well -being and strengthen the position of women.”
Inspiring various talents
Storm Reid often talks in regards to the representation in Hollywood and cooperates with creators promoting diversity, equivalent to Ava DuverNay. Speaking of his role in “Wrinkles in time”, says:
“The representation is everything. If I was younger, if I saw meg as myself, Meg would strengthen me and inspire me and make me save the world. So have these characters and be able to be that for young African American girls or only young people in general.”
Personal observations and philosophy

Here are some Storm quotes with diversity and inclusion and how he juggled a successful profession as an activist.
Views for diversity and inclusion
- “Diversity should be forever; it should be a normal thing.”
- “I just think that women should be treated equally, not only in this industry, but in all industries, because unfortunately we are not.”
Balancing a profession and activism
- “Fortunately, I do not have to act just to work. I can be very, very special with projects in which I will decide to be part. We, the actors, have a duty to tell representative stories and representing the world. I really feel that way.”
- “I feel that we have the opportunity and the platform – not all of us, but many of us in Hollywood at the moment – say something. Say something in our art, is in a sense selfish.”
(Tagstransate) storm reid
Film
The “The Greenwood Avenue Project” document honors Tuls’s stories, which the textbooks have forgotten

Black older have all the time been our griots, passing stories not only to recollect, but to guard – truths often ignored from textbooks and conducted by talks on the porch and Sunday dinners. One hundred years after one in all the darkest chapters in the history of America, “Greenwood Avenue project” He sends these voices to the fore, visiting the massacre in the Tulsa race from 1921 and honoring immunity, which still pulsates the Greenwood community.
Directed by Karen Reese and Terry Baccus, the film intertwines personal testimonies, historical context and contemporary reflections right into a story that extends beyond the tragedy and shows “a journey from devastation to recovery.” For Reese, the first documentary approach not only creates a way of connection, but in addition sheds light by force of telling stories.
“(This) the power of your history,” she said, explaining how, unlike other documents, the Greenwood project distinguishes people no matter their status or stars. “For me (plan) was about going to the community and just choosing your ordinary people and saying that you have a story. Meet and tell this story.”
Often known as “Black Wall Street”, Greenwood was once a blooming black community in Tulsa in Oklahom, until May 31, 1921, when a white crowd, many related to Ku Klux Klan, decimated the district in a terrifying 18-hour assault-extinguishing a whole lot and shifting hundreds. And for a long time, the massacre was faraway from the mainstream history. Now that the current administration continues the efforts to erase the black story, the creators of “Greenwood Ave Project” emphasized the importance of those stories for younger generations.
“I would like the document to be used as a didactic tool,” Reese explained. “A workbook was created to accompany the document. And it can be something that is embedded in the school system.”
“Because they want to try to take Dei, they want to take these stories, it is important that we remind our children that … our story did not start with slavery,” Wayne S. III repeated. “It is important that our children understand what happened so that they can prepare. So if they see something, they can say:” Hey, we will not let it occur again and we are able to do something about it. ”
Through what Reese described as “small films in the film”, the document shows the power and meaning of the community in addition to maintaining the history and memories of our ancestors.
“I encourage people to stream and do something that is personal to them,” summed up Wayne S. III. “Here are so many things that happen in our community that either we tell them stories through our families … It is a way to convey this story to people so that they can see what is really going on (and hopefully) say,” You know what, I would like to do higher. I would like to be higher. ”

“The Greenwood Ave Project” is now available for rent/possession on all digital, cable and satellite platforms in North America, in addition to on DVD.
(Tagstranslate) Tulsa Race Massacre (T) Black History (T) Documentary documents
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