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Shelby Ivey Christie on starting her own publishing company – Essence

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Conscious Film

Shelby Ivey Christie is a valued voice at Fashion X, formerly often known as Twitter. Her tone is commonly well-received – in 2018, she began sharing insights on the history of black fashion. Thanks to this, she has turn into a conscientious and well-studied documentarian, whom many individuals need to discuss our unsung heroes and facts which might be largely unknown. The Atlanta-based fashion and costume historian has experience that has allowed her to delve into the center of publishing and culture. Roles at Vogue, Amazon and L’Oréal are the hallmarks of a lady who has worked diligently from the within the corporation. The core of her work at these corporations included shaping marketing and brand strategies for multicultural consumers. Currently, it’s on the brink of a brand new era due to the recently launched project, a publishing house titled Haute Heritage Publishing House which, in her opinion, will shake up the posh fashion industry.

As this era is all about making a tangible impact for Christie, she can be releasing her first book under her imprint: . AND set of flashcards also launched with a book. The company has its rhyme and reason. Christie’s goal is to dispel preconceived notions about education in the worldwide apparel industry. The book features such icons as the long-lasting designer Dapper Dan and the legendary stylist and costume designer June Ambrose. But it also includes other names that some will not be conversant in, including designers Anne Lowe and Zelda Wynn Valdes.

Christie hopes that through her company she will encourage younger generations to achieve for his or her dreams after learning concerning the icons and others who paved the way in which for today’s fashion luminaries. In her own words: “The important message behind this endeavor is that I want to get more young, diverse minds interested in fashion so that we can encourage a more diverse range of talent to enter our industry.”

Shelby Ivey Christie on starting her own publishing company
Haute Heritage Publishing House

As a lady native to southern North Carolina, this brand will probably be a legacy builder for Christie that may impact beyond just her peers and the publications and types which have anointed her as a key voice price being attentive to. This will even create a chance for individuals who have a barrier to entry into the lauded industry to attach with the worldwide market. “It’s important to me because, you know, as a Southerner growing up in the South, far from the capital of fashion, New York,” Christie added.

Below, we caught up with Shelby Ivey Christie to debate her latest enterprise, an alphabet book bringing together black style legends and more.

ESSENCE.com: Can you walk me through the present era and what it has been like thus far?

Shelby Ivey Christie: For me, it is a tangible a part of my era of continued influence. I really imagine that my comments on social media and my archival work have actually had an impact on the style industry and beyond. I see the outcomes of this work. I understand that from 2018, after I began talking about Black stories in fashion, taking a look at fashion through the lens of race, class, and culture and being one in every of the few voices discussing and exposing this content, to now, when Black and POC stories are considered he said, talent is being hired inside and outdoors the industry. I feel like I even have a direct impact on this in our industry.

However, I believe I even have made it my goal to focus on more tangible technique of impact. My goal has at all times been to go offline, and this release and this primary set of products is my way of expanding my efforts to amplify Black history in fashion, to incorporate diverse talent in the style pipeline in real life, offline, something tangible and something that it opens up access to fashion content much more because that is something I’m keen about, making fashion and history content and Black history content more accessible.

Why did you select to begin a publishing company? I mean, it’s an area you realize in some ways.

My experience is expounded to publishing activities. My name was on the publisher’s masthead at . I reported it to the publisher. I used to be an intern at [and] On . When I used to be growing up, my dream was to turn into a fashion editor. [I would] browse pages, browse pages, [and] wanting to have a voice, own and direct this content. I believe once I got into fashion publishing, I gained a greater understanding of who controls content and the way that influences what stories get published and ultimately what the general public has access to.

This experience combined with my current passion for working to amplify Black and POC contributions to fashion made me think, “OK, you know what? If I’m tired of seeing the same stories amplified, or if I’m tired of people pointing out the loopholes in fashion storytelling, why don’t I just do it myself?” Black women’s motto, right? Instead of DIY, I believe for a very long time my platform was focused on stating content gaps and throwing flags at the sport where I felt there have been misses, which served its purpose, but I didn’t need to get stuck complaining and pointing fingers.

Even most people is now very informed and well-versed in cultural nuances, the problems we face around race, and who’s telling the stories in fashion. It’s an even bigger issue now and getting more attention, so I didn’t need to get stuck in the web noise and outrage and clickbait and complaining. I desired to get up and say, “OK, I have the experience, I have the knowledge, I have the network, and I can find the resources to do something about it.” This is my answer to this query and I would like to not only complain and point fingers, but do something to vary it, influence it and alter the conversation.

Shelby Ivey Christie on starting her own publishing company
Haute Heritage Publishing House

What is most vital to you about this latest enterprise?

For me, the purpose is that this latest enterprise goals to make fashion resources and books that tell diverse stories accessible to people of all ages. The first product is, in fact, a kid’s book. But relating to fashion, now we have specialty products. When something is polished, it could not appeal to us like designer Lego sets and the like, but we still take pleasure in it because we understand the cultural meaning behind it. These are products for fashion lovers [and] individuals who should not fashion lovers. They are intended for people of all ages. I believe the core of my work has at all times been about making fashion engaging and accessible, so now I try this in a broader and more tangible way.

I believe the subsequent big goal for me is that this [the] the book has 28 letters of the alphabet. Some of those individuals are still amongst us, and it was very vital to me that this book included people from the legends who’re still alive, because as a historian I often spend time in archives and extract information on this subject. icons which have gone further, constructing on work done a long time ago, sometimes 100 years ago. We are also unable to confer with creators in real time, learn from them, follow their journey, or see them in real time.

It’s also vital to me to not only give flowers to legends while they’re here to smell them, but in addition to introduce young people and folks of all ages to this talent while they’re here so that they can support them and watch them in real time while still working and moving through the industry, because you possibly can learn loads from watching someone proceed to do the job in real time.

Who are the people you would like people to learn more about on this book?

There are great authors on this book [and] I feel like people can recognize their work, not themselves. The letter W honors the person who designed costumes for Michael Jackson for a lot of, a few years and who created the prototype of the infamous white glove, this white glove encrusted with Swarovski, [the] costume designer, Bill Whitten. There can be Elizabeth Keckley, who designed fashion for First Lady Mary Lincoln and whose work is within the Smithsonian. So many characters have legacies and have left an enormous mark, and audiences simply do not know their names. This is the core of what drives me.

I adore it when people say, “Wow, I didn’t know that” after I’ve talked to them about something or introduced them to a brand new talent or a brand new concept in fashion, so I can just have fun a creative legacy like that too. These are individuals who have already got established jobs, they simply will not be household names, so having the ability to highlight them, have fun them and put them into the minds of young people in order that their legacy doesn’t end with ours once we’re already 30, 40 years old, is for me exciting.

What else are you able to share about yours first book which one are you able to buy today?

I can not help but mention that this book was written by the black fashion legend herself, June Ambrose. In his foreword, he expresses his excitement and encourages young minds to invigorate them and instill enthusiasm to enter this industry. I believe the foreword is a gorgeous call to motion and an inspiring message for readers to feel like they’ve something to supply to the style industry, the posh industry, and feel inspired by the characters on the pages.

I also desired to say that this book not only features Black fashion legends, nevertheless it was written by a Black fashion legend herself, and I felt it was really vital to have her co-writer and her signature and support of what we’re attempting to portray, which is bringing Black narratives in relation to fashion and, again, ensuring that the long run of fashion is more diverse. That’s why her post, support and call to motion for young minds on this book were amazing.

This article was originally published on : www.essence.com
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Health and Wellness

Jury awarded $310 million to parents of teenager who died after falling on a ride at Florida amusement park – Essence

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Sun Sentinel/Getty Images

The family of Tire Sampson, the 14-yr-old who tragically died on an amusement park ride in Orlando, Florida, in 2022, has been awarded $310 million in a civil lawsuit.

Tire, who was visiting ICON Park along with his family on March 24, 2022, fell from the FreeFall drop tower. Although he was taken to a nearby hospital, he didn’t survive his injuries.

Now, greater than two years later, a jury has held the vehicle manufacturer, Austria-based Funtime Handels, responsible for the accident and awarded the Tire family $310 million. According to reports from local news stations WFTV AND KSDKthe jury reached its verdict after about an hour of deliberation.

Tyre’s parents will each receive $155 million, according to attorney spokesman Michael Haggard.

Attorneys Ben Crump and Natalie Jackson, who represented Tyre’s family, shared their thoughts on this landmark decision via X (formerly Twitter). “This ruling is a step forward in holding corporations accountable for the safety of their products,” they said in a statement.

Lawyers stressed that Tyre’s death was attributable to “gross negligence and a failure to put safety before profits.” They added that the ride’s manufacturer had “neglected its duty to protect passengers” and that the substantial award ensured it could “face the consequences of its decisions.”

Crump and Jackson said they hope the result will encourage change throughout the theme park industry. “We hope this will spur the entire industry to enforce more stringent safety measures,” they said. “Tire heritage will provide a safer future for drivers around the world.”

An investigation previously found that Tyre’s harness was locked through the descent, but he dislodged from his seat through the 430-foot fall when the magnets engaged. Tire’s death was ruled the result of “multiple injuries and trauma.”

ICON Park said at the time that it could “fully cooperate” with the authorities.

This article was originally published on : www.essence.com
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Tireless HIV/AIDS advocate A. Cornelius Baker dies

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HIV/AIDS Advocate, A. Cornelius Baker


A. Cornelius Baker, a tireless advocate of HIV and AIDS testing, research and vaccination, died Nov. 8 at his home in Washington, D.C., of hypertensive, atherosclerotic heart problems, in response to his partner, Gregory Nevins.

As previously reported, Baker was an early supporter for people living with HIV and AIDS within the Nineteen Eighties, when misinformation and fear-mongering in regards to the disease were rampant.

According to Douglas M. Brooks, director of the Office of National AIDS Policy under President Obama, it was Baker’s Christian faith that guided him toward compassion for others.

“He was very kind, very warm and inclusive – his circles, both professional and personal, were the most diverse I have ever seen, and he was guided by his Christian values,” Brooks told the outlet. “His ferocity was on display when people were marginalized, rejected or forgotten.”

In 1995, when he was executive director of the National AIDS Association, Baker pushed for June 27 to be designated National HIV Testing Day.

In 2012, he later wrote on the web site of the Global Health Advisor for which he was a technical advisor that: “These efforts were intended to help reduce the stigma associated with HIV testing and normalize it as part of regular screening.”

https://twitter.com/NBJContheMove/status/1856725113967632663?s=19

Baker also feared that men like himself, black gay men, and other men from marginalized communities were disproportionately affected by HIV and AIDS.

Baker pressured the Clinton administration to incorporate black and Latino people in clinical drug trials, and in 1994 he pointedly told the Clinton administration that he was bored with hearing guarantees but seeing no motion.

According to Lambda Legal CEO Kevin Jennings, yes that daring attitude that defines Baker’s legacy in the world of ​​HIV/AIDS promotion.

“Cornelius was a legendary leader in the fight for equality for LGBTQ+ people and all people living with HIV,” Jennings said in a press release. “In the more than twenty years that I knew him, I was continually impressed not only by how effective he was as a leader, but also by how he managed to strike the balance between being fierce and kind at the same time. His loss is devastating.”

Jennings continued: “Cornelius’ leadership can’t be overstated. For many years, he was one in all the nation’s leading HIV/AIDS warriors, working locally, nationally and internationally. No matter where he went, he proudly supported the HIV/AIDS community from the Nineteen Eighties until his death, serving in various positions including the Department of Health and Human Services, the National Association of Persons with Disabilities AIDS, and the Whitman-Walker Clinic . Jennings explained.

Jennings concluded: “His career also included several honors, including being the first recipient of the American Foundation for AIDS Research Foundation’s organization-building Courage Award. Our communities have lost a pillar in Cornelius, and as we mourn his death, we will be forever grateful for his decades of service to the community.”

Kaye Hayes, deputy assistant secretary for communicable diseases and director of the Office of Infectious Diseases and HIV/AIDS Policy, in her comment about his legacy, she called Baker “the North Star.”.

“It is difficult to overstate the impact his loss had on public health, the HIV/AIDS community or the place he held in my heart personally,” Hayes told Hiv.gov. “He was pushing us, charging us, pulling us, pushing us. With his unwavering commitment to the HIV movement, he represented the north star, constructing coalitions across sectors and dealing with leaders across the political spectrum to deal with health disparities and advocate for access to HIV treatment and look after all. He said, “The work isn’t done, the charge is still there, move on – you know what you have to do.” It’s in my ear and in my heart in the case of this job.

Hayes added: “His death is a significant loss to the public health community and to the many others who benefited from Cornelius’ vigilance. His legacy will continue to inspire and motivate us all.”

Baker is survived by his mother, Shirley Baker; his partner Nevins, who can be senior counsel at Lambda Legal; his sisters Chandrika Baker, Nadine Wallace and Yavodka Bishop; in addition to his two brothers, Kareem and Roosevelt Dowdell; along with the larger HIV/AIDS advocacy community.


This article was originally published on : www.blackenterprise.com
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Health and Wellness

Bovaer is added to cow feed to reduce methane emissions. Does it pass into milk and meat? And is it harmful to humans?

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There are growing concerns in regards to the use of feed supplements, Bowar 10to reduce methane production in cows.

Bovaer 10 consists of silicon dioxide (mainly sand), propylene glycol (food stabilizer approved by Food Safety Australia New Zealand) and lively substance 3-nitrooxypropanol (3-NOP).

There has been an enormous amount of misinformation in regards to the safety of 3-NOP, with some milk from herds fed this additive being labeled “Frankenmilk”. Others feared it could get to humans through beef.

The most significant thing is that 3-NOP is secure. Let’s clear up some major misconceptions.

Why do we want to limit methane production?

In our attempts to limit global warming, we’ve placed the best emphasis on CO₂ because the major man-made greenhouse gas. But methane is also a greenhouse gas, and although we produce less of it, it is: a much stronger greenhouse gas than CO₂.

Agriculture is the largest a man-made source of methane. As cattle herds expand to meet our growing demand for meat and milk, reducing methane production from cows is a vital way to reduce greenhouse gas emissions.

There are several ways to do that. Stopping bacteria within the stomachs of cows that produce methane one approach is to produce methane.

The methane produced by cows and sheep doesn’t come from the animals themselves, but from the microbes living of their digestive systems. 3-NO stop the enzymes that perform the last step of methane synthesis in these microorganisms.

3-NOP is not the one compound tested as a feed additive. Australian product based on seaweed, Rumin8for instance, it is also in development. Saponins, soap-like chemicals present in plants, and essential oils as well has been examined.

However, 3-NOP is currently one of the popular effective treatments.

Nitrooxypropanol structure: red balls are oxygen, gray carbon, blue nitrogen and white hydrogen.
PubChem

But is not it poison?

There are concerns on social media that Bovaer is “poisoning our food.”

But, as we are saying in toxicology, it’s the dose that makes the poison. For example, arsenic is deadly 2–20 milligrams per kilogram of body weight.

In contrast, 3-NOP was not lethal on the doses utilized in safety studies, up to 600 mg 3-NOP per kg body weight. At a dose of 100 mg per kg body weight in rats, it didn’t cause any adversarial effects.

What about reproductive issues?

The effect of 3-NOP on the reproductive organs has generated numerous commentary.

Studies in rats and cows showed that doses of 300–500 mg per kg body weight caused: contraction of the ovaries and testicles.

In comparison, to achieve the identical exposure in humans, a 70 kg human would want to eat 21–35 grams (about 2 tablespoons) of pure 3-NOP every day for a lot of weeks to see this effect.

No human will likely be exposed to this amount because 3-NOP doesn’t pass into milk – is fully metabolized within the cow’s intestines.

No cow will likely be exposed to these levels either.

The cow licks itself
Cows will not be exposed to levels tested on animals in laboratory studies.
Ground photo/Shutterstock

What about cancer?

3-NOP is not genotoxic or mutagenicwhich implies it cannot damage DNA. Thus, the results of 3-NOP are dose-limited, meaning that small doses will not be harmful, while very high doses are (unlike radiation where there is no secure dose).

Scientists found that at a dose of 300 mg per kilogram of body weight benign tumors of the small intestine of female ratsbut not male rats, after 2 years of every day consumption. At a dose of 100 mg 3-NOP per kg body weight, no tumors were observed.

Cows eat lower than 2 grams of Bovaer 10 per day (of which only 10% or 0.2 grams is 3-NOP). This is about 1,000 times lower than the appropriate every day intake 1 mg 3-NOP per kg body weight per day for a cow weighing 450 kg.

This level of consumption will likely be not the result in cancer or any of them other adversarial effects.

So how much are people exposed to?

Milk and meat consumers will likely be exposed to zero 3-NOP. 3-NOP doesn’t penetrate milk and meat: is completely metabolized within the cow’s intestines.

Farmers could also be exposed to small amounts of the feed additive, and industrial employees producing 3-NOP will potentially be exposed to larger amounts. Farmers and industrial employees already wear personal protective equipment to reduce exposure to other agricultural chemicals – and it is advisable to do that with Bovear 10 as well.

Milk
3-NOP doesn’t penetrate milk and meat.
Shutterstock

How widely has it been tested?

3-NOP has been in development for 15 years and has been subject to multiple reviews by European Food Safety Authority, UK Food Safety Authority AND others.

It has been extensively tested over months of exposure to cattle and has produced no unintended effects. Some studies actually say so improves the standard of milk and meat.

Bovaer was approved for use in dairy cattle by the European Union from 2022 and Japan in 2024. It is also utilized in many other countries, including: in beef products, amongst others Australia.

A really small amount of 3-NOP enters the environment (lower than 0.2% of the dose taken), no accumulates and is easily decomposed subsequently, it doesn’t pose a threat to the environment.

Since humans will not be exposed to 3-NOP through milk and meat, long-term exposure is not an issue.

What does Bill Gates have to do with this?

Bill Gates has invested in a distinct feed processing method for methane, Australian seaweed-based Rumin8. But he has nothing to do with Bovaer 10.

The Bill & Melinda Gates Foundation awarded research grants to the corporate producing 3-NOP for malaria control researchnot for 3-NOP.

The bottom line is that adding 3-NOP to animal feed doesn’t pose any risk to consumers, animals or the environment.

This article was originally published on : theconversation.com
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