Celebrity Coverage
Susan Kelechi Watson shines in Good Bones – Essence
Photo credit: Joan Marcus
The very topical topic of gentrification takes center stage in a comedic and moving show, the newest from Pulitzer Prize-winning playwright James Ijames. Starring Susan Kelechi Watson, well-known for her acclaimed role as Beth Pearson on , and Mamadou Athie, who recently starred on the Hulu series, the show offers a nuanced exploration of gentrification, community, and identity.
centers on Watson’s Aisha and her husband as they renovate a house in Aisha’s old neighborhood, creating suspense over the long run of their once famous community. At first glance, this may increasingly seem to be a straightforward story about urban revitalization and displacement, nevertheless it goes deeper and asks necessary questions on how people interact with the neighborhoods they find yourself in. Through the character of Aisha, the play explores what happens when people determine to remodel a community, relatively than understanding how they will contribute to it.
For Watson, returning to the stage was like coming home. “Theater is one of my greatest loves,” she explained. “For me, theater is the basis of acting. The return is always full of emotions. It’s a completely different muscle than film and television.” Watson, who boasts an in depth film and tv resume, also starred in the Public Theater’s 2022 production a singular version of Shakespeare’s play with an all-black forged set in South Harlem. “There is nothing like it,” he says of live performances. “Every time you perform, the audience is different and the atmosphere on stage will be different. There is nothing higher than doing something and it only exists in this space at the moment for these people.
For this particular series, Watson, who grew up in New York, was particularly drawn to the story and characters. “She is just. She’s just a real person. She’s very close to me,” Watson said. She connected deeply with Aisha’s background and experiences, noting how gentrification – one of the play’s main themes – mirrored her own observations of life in New York. “It’s only now that I’m coming to terms with the fact that it’s so different here. Much of what made this film special is no longer there, and that’s hard to regret. I saw things that seemed very steeped in culture completely change.”
Through , viewers are encouraged to think about the usually neglected complexities of gentrification. The dialogue between Aisha and her husband Travis highlights contrasting perspectives on whether to simply accept or resist the changes in their neighborhood. “What I like about our play,” Watson noted, “is that it delves into the complications of arguing about gentrification in the same community. Two Black people are talking about it. So what does this mean and what are these two points of view?”
Aisha’s journey reflects the strain between the need for positive change and respect for the lived experiences of those that already call a spot home. Watson says the play asks, “How can these two things exist at the same time and leaves room for people to be more understanding and compassionate about it.”
The balance of humor and social commentary that may be a hallmark of Ijames’ work allows the art to have interaction with a difficult subject in a way that’s more approachable and accessible, yet deeply moving. “When things are very deep, we often look for humor to lighten them up, and James is really good at that,” Watson says. “I love doing comedies, so it’s really nice to find those moments where it’s lighter, sharp, witty, where there’s just funny laughter, where it’s exaggerated, where it’s the most subtle. There are so many different types of comedy that it’s easy to fall back on the fact that this play has this tone.”
Watson personally finds humor especially funny. “I’m a big comedy fan – that’s what I mostly watch. That’s how I grew up. I am in such a family. Everyone is funny. That’s how we dealt with everything – with humor. In my opinion, sometimes this way you can make people hear something in a more relaxed way, allowing the sound to penetrate deeper.”
ultimately challenges us to rethink the dynamics of belonging and consider what it means to actually integrate right into a community, not as a force for change, but as a part of its fabric. It is a thoughtful and insightful exploration of the complexities of home, identity and community in a rapidly changing world.
Celebrity Coverage
Naomi Sharon talks about her cosmetics from the Tems – Esencja tour
Courtesy of Naomi Sharon
A Dutch singer from an early age Naomi Sharon she saw her future. “Around the age of three or four, I was already intrigued by music,” Sharon tells ESSENCE. “If I saw someone on TV, I’d think, ‘Oh, that’ll be me.’ I always dreamed I wanted to do this.” The emotional depth of her sound will be attributed not only to being born right into a music-centric family, but additionally to her inspiration from many culture-bending genres.
Now the first artist signed to Drake’s record label, OVO Sound, Sharon’s debut album (2023) – a 16-track project that exploits her vulnerabilities like a memoir – has transformed her right into a singer-songwriter value watching. Her unparalleled sound is full of musical references from Stevie Wonder and Sting to Eva Cassidy and Sade.
But learning from industry masters is not only a reference point for her ambient voice. “Madonna at the beginning of the 21st century, when she had black hair and everything was gothic and cool tones,” she says about her cosmetic inspirations. “When I go back to the inspiration boards, I look at photos from that period, not only by her, but also by artists in general.”
Currently opening for Tems’ Born in the Wild Tour, the great thing about Sharon’s sound, skin and makeup is eye-catching and ear-fluttering. What about her beauty routine? “I love Korean skin care,” she says. “I think they live in the future. I’m addicted [a brand called] Medicine” – he adds of the viral brand known for his or her Age-R amplifier device.
When it involves make-up, the cool-toned enthusiast obviously refers to Madonna, using her eye shadow palettes Mario’s makeup AND The great thing about Huda. “I like to try new things in every performance, but I never go for warm shades,” she explains. Her natural beauty is not limited to her face – she cuts her hair to stop it being stuck in a weave. “I was addicted. The only way to stop was to just quit,” he says. Still, “I still love to change things up every now and then,” she says, which supplies us a clue as to what we are able to expect from this budding artist, each musically and cosmetically. “It feels like a new era has arrived.”
Celebrity Coverage
This Week’s Best New Music: GloRilla, Tyla, Pharrell Williams & More – Essence
Happy Friday, people. This week brings a fresh wave of recent music releases from the industry’s biggest stars that you do not need to miss. From highly anticipated debut albums to a beloved musician’s return to form, there’s something for everybody.
GloRilla presents performances by Megan Thee Stallion and Latto, and October London gives its fans gifts. Today, hip-hop fans can vibe to latest singles by Cordae and EARTHGANG, and R&B lovers shall be delighted with the newest jazz offering from Amari and Samara Joy. No matter what genre you want, this week’s repertoire is certain to fill your playlist with the most popular latest songs.
Below you may read our list of recent products.
Celebrity Coverage
Breaking records and glass ceilings: how black women athletes are changing business – Essence
Allyson Felix on the 2024 Glamor Women of the Year held at The Times Square EDITION on October 8, 2024 in New York City. (Photo by Stephanie Augello/Variety via Getty Images)
The journey from sports star to business tycoon is not easy – it’s more like a grueling marathon with unexpected obstacles.
However, Black female athletes are overcoming these obstacles to create empires that reach far beyond the sphere and court. Their transition is not only a game changer; it’s rewriting the algorithm for fulfillment.
Report on the state of women-owned enterprises for 2023 he dropped a bombshell: Between 2014 and 2019, the variety of Black women-owned businesses skyrocketed by 50%. It’s not only growth – it is a boom that is shaking up the entrepreneurial landscape. And guess who’s leading the charge? The same women who break records and shatter expectations in sports.
Serena Williams: Serena aces at Venture Capital
When Serena Williams steps onto the court, everyone pays attention to her. Now he commands the identical respect in boardrooms. By Serena Venturesdoesn’t invest only in start-ups; is revolutionizing the VC game.
With over 60 firms in her portfolio, Williams doesn’t just write checks – she modifies lives. In 2022, she raised a staggering $111 millionbut here’s the most effective part: it’s focused on founders who’ve been marginalized previously. From beauty disruptors to ed-tech innovators, Williams embraces diversity. And let me inform you, this bet is paying off.
Remember when Allyson Felix and Nike had that public spat? Instead of letting this derail her, Felix tied his shoelaces and jumped right into entrepreneurship. Enter Saysh, its originator within the sports footwear space.
This isn’t one other celebrity brand. Felix saw a niche available in the market – athletic shoes designed for women’s feet, not only smaller versions of men’s shoes – and rushed to fill it. Thanks to Series A funding of $8 million Saish it is not only a brand; this statement. Felix says, “If you don’t give us what we need, we will create it ourselves.”
Renee Montgomery: Changing the sport from the owner’s box
Renee Montgomery not only retired from the WNBA, but additionally stepped up. As co-owner of the Atlanta Dream team, she not only initiates actions – she initiates decisions that affect the complete league.
This move isn’t only historic; it’s revolutionary. Montgomery’s transition from player to owner is like going from reading a book to writing it. She’s not only in the sport; it changes how it’s played, who can play it, and who advantages from it.
Let’s not beat across the bush – the road to entrepreneurial success is steep, especially for black women. The ProjectDiane 2022 report exposed the ugly truth: Black women founders received a paltry 0.27% of total enterprise capital investment in 2018-2019. It’s like running a marathon in cement shoes.
But that is where athletes shine – they are used to defying adversity. Take Candace Parker. Not only did she collaborate with Adidas; she signed a contract for her own signature line, and to top it off she even became president Adidas women’s basketball. In a world where female athletes in statement shoes are as rare as unicorns, Parker doesn’t just play the sport – she modifies the consequence.
There can be Nneka Ogwumike – WNBA star, Adidas athlete and trade union president. He’s not only fighting for higher pay on the court, he’s fighting for equality within the boardroom and leading the best way within the media. Her moves are a masterclass in harnessing athletic prowess for long-lasting results.
It’s not nearly individual success stories. It’s about making a plan for the following generation. Young athletes watching these women don’t just dream of gold medals – they imagine constructing an empire.
Ripple effect
When these athletes-turned-entrepreneurs make waves, they do not just disrupt industries, they transform them. They prove that skills honed over years of sports discipline – resilience, strategic considering, teamwork – are invaluable within the business world.
Their success isn’t just personal; it is common. By breaking into spaces traditionally closed to them, they open doors for others to follow. They don’t just construct firms; they create a legacy that can outlast any sporting record.
The impact of those women goes far beyond balance sheets and financial results. They change narratives, challenge stereotypes and redefine leadership. In this fashion, they not only change the foundations of the sport – they create a very recent field of activity.
As we glance to the long run, one thing is evident: the following generation of game changers won’t just appear on our screens and stadiums. They will serve on our boards, lead progressive firms and spearhead social change. They can even have the chance to thank the pioneers, athletes-turned-entrepreneurs, for showing them that the trail to victory doesn’t end after they leave the court – it is just just starting.
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