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‘Seeking Mavis Beacon’: Why Informed Consent Matters with AI – Essence

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Courtesy of Neon

raises questions on AI, ethical storytelling, and the importance of informed consent. Directed by Jazmine Jones and co-produced by Olivia McKayla Ross, the film explores the true Black woman behind the avatar who helped a generation learn to type on a QWERTY keyboard.

The duo explores the story of Renée L’Espérance, who was the face of the software. She was paid as a model, but her warmth and sweetness helped her construct a fortune. Her powerful presence caused an enormous Mandela event, which made people imagine Mason Beacon was an actual person. Jones and Ross open up about their feelings about L’Espérance being almost completely erased from her contribution to culture.

“I love being uncomfortable and trying to find a way to deal with that discomfort,” Jones tells ESSENCE. “That’s something I was trained to do as a film student. But I also think that being uncomfortable can often have ethical consequences, and sometimes filmmakers sacrifice ethical integrity.”

“It was through collective organizing that I learned all about the work of heart-centered care,” Jones added. “I came from the school of thought that if you’re a filmmaker, put yourself into the work.”

‘Seeking Mavis Beacon’ Reminds Us Why Informed Consent Matters When It Comes to AI
Courtesy of Neon

Jones and McKay interact with Renée L’Espérance’s character with a caring presence in her absence that black women don’t all the time get in a virtual world rife with digital blackface. Ross feels comfortable “choosing to abandon the objective voice” that other documentarians present as gospel. “I think it’s important to give audiences people who need to be held accountable, because you so rarely get that in the media,” she explains. The film argues that “truth is actually fluid as hell.”

Behind L’Espérance’s radiant face is a trio of tech entrepreneurs. It’s unclear whether she understood what she was agreeing to when she agreed to a photograph shoot for the quilt of a software box. Their collaboration got young black kids excited concerning the web. But was it ethical? Was it fair?

“We can compare it to Aunt Jemimas and Uncle Bens. There are countless examples of how this has affected black people,” Jones says. The ambiguity reflects the confusion within the contracts of lots of the apps we are able to’t live without today. It looks as if we’ve got a alternative, but will we? Did L’Espérance have one?

“Our consent was fabricated for us,” Ross says.

The hidden details of the creative process affect many sorts of people. It identifies intersectionality within the shadows. It examines what gets neglected of a story when it’s told by a hoodie-wearing tech-bro or a wise suit. It doesn’t demonize the boys behind the software. It illuminates how narratives can puncture holes. L’Espérance wasn’t asked to look on talk shows or give TED talks.

According to Jones, the main focus is on “the struggles and erasure that black women experience,” but “there are also parallels and reflections of how the glass ceiling of Silicon Valley affects all women.”

At one point, a former partner of one in every of the executives behind the software has the chance to set the record straight, not only about L’Espérance but about himself. “Everyone sees the erasure of Renee, but I think it’s very rare that we get to talk about Sandra Blake’s contribution, and she didn’t get any compensation for her involvement,” Jones says.

‘Seeking Mavis Beacon’ Reminds Us Why Informed Consent Matters When It Comes to AI
Courtesy of Neon

McKay sees the digital landscape as the ultimate frontier of capitalist-inspired colonialism, and she or he told the audience that she plans to assist Jones clean up her digital footprint throughout the screening, organized by Stop Six Stories.

“This is the final frontier; we’re running out of land, we’re running out of resources, at least renewable resources,” Jones tells ESSENCE. “They can’t imprison people fast enough to use their bodies, so they’re kind of creating these systems, these behavior modification systems, to hypnotize you through social media and other apps and things that we use to give them things that are really valuable for free.”

Jones commented on her complicated connection to the fertile battlefield. “I really appreciate that work,” she says. “They really shaped the landscape of educational software that I grew up with.” As she fondly remembers their work, she grapples with the way it ended up on and off the screen.

“It’s also hard not to look at photos of employees and not notice that there isn’t a single black person in them.”

n is in select theaters now. Watch the trailer below.

This article was originally published on : www.essence.com
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Naomi Sharon talks about her cosmetics from the Tems – Esencja tour

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Courtesy of Naomi Sharon

A Dutch singer from an early age Naomi Sharon she saw her future. “Around the age of three or four, I was already intrigued by music,” Sharon tells ESSENCE. “If I saw someone on TV, I’d think, ‘Oh, that’ll be me.’ I always dreamed I wanted to do this.” The emotional depth of her sound will be attributed not only to being born right into a music-centric family, but additionally to her inspiration from many culture-bending genres.

Naomi Sharon talks about her beauty styles during the Tems Tour
Courtesy of Sahar Driessen

Now the first artist signed to Drake’s record label, OVO Sound, Sharon’s debut album (2023) – a 16-track project that exploits her vulnerabilities like a memoir – has transformed her right into a singer-songwriter value watching. Her unparalleled sound is full of musical references from Stevie Wonder and Sting to Eva Cassidy and Sade.

But learning from industry masters is not only a reference point for her ambient voice. “Madonna at the beginning of the 21st century, when she had black hair and everything was gothic and cool tones,” she says about her cosmetic inspirations. “When I go back to the inspiration boards, I look at photos from that period, not only by her, but also by artists in general.”

Naomi Sharon talks about her beauty styles during the Tems Tour
Courtesy of Ashley Röttjers

Currently opening for Tems’ Born in the Wild Tour, the great thing about Sharon’s sound, skin and makeup is eye-catching and ear-fluttering. What about her beauty routine? “I love Korean skin care,” she says. “I think they live in the future. I’m addicted [a brand called] Medicine” – he adds of the viral brand known for his or her Age-R amplifier device.

Naomi Sharon talks about her beauty styles during the Tems Tour
Courtesy of Ashley Röttjers

When it involves make-up, the cool-toned enthusiast obviously refers to Madonna, using her eye shadow palettes Mario’s makeup AND The great thing about Huda. “I like to try new things in every performance, but I never go for warm shades,” she explains. Her natural beauty is not limited to her face – she cuts her hair to stop it being stuck in a weave. “I was addicted. The only way to stop was to just quit,” he says. Still, “I still love to change things up every now and then,” she says, which supplies us a clue as to what we are able to expect from this budding artist, each musically and cosmetically. “It feels like a new era has arrived.”

Naomi Sharon talks about her beauty styles during the Tems Tour
Courtesy of Ashley Röttjers


This article was originally published on : www.essence.com
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This Week’s Best New Music: GloRilla, Tyla, Pharrell Williams & More – Essence

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Happy Friday, people. This week brings a fresh wave of recent music releases from the industry’s biggest stars that you do not need to miss. From highly anticipated debut albums to a beloved musician’s return to form, there’s something for everybody.

GloRilla presents performances by Megan Thee Stallion and Latto, and October London gives its fans gifts. Today, hip-hop fans can vibe to latest singles by Cordae and EARTHGANG, and R&B lovers shall be delighted with the newest jazz offering from Amari and Samara Joy. No matter what genre you want, this week’s repertoire is certain to fill your playlist with the most popular latest songs.

Below you may read our list of recent products.

This article was originally published on : www.essence.com
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Breaking records and glass ceilings: how black women athletes are changing business – Essence

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Allyson Felix on the 2024 Glamor Women of the Year held at The Times Square EDITION on October 8, 2024 in New York City. (Photo by Stephanie Augello/Variety via Getty Images)

The journey from sports star to business tycoon is not easy – it’s more like a grueling marathon with unexpected obstacles.

However, Black female athletes are overcoming these obstacles to create empires that reach far beyond the sphere and court. Their transition is not only a game changer; it’s rewriting the algorithm for fulfillment.

Report on the state of women-owned enterprises for 2023 he dropped a bombshell: Between 2014 and 2019, the variety of Black women-owned businesses skyrocketed by 50%. It’s not only growth – it is a boom that is shaking up the entrepreneurial landscape. And guess who’s leading the charge? The same women who break records and shatter expectations in sports.

Serena Williams: Serena aces at Venture Capital

Breaking records and glass ceilings: How Black women athletes are changing business
PARIS, FRANCE – JULY 25: Serena Williams attends the 2024 Paris Games Prelude on July 25, 2024 in Paris, France. (Photo: Marc Piasecki/WireImage)

When Serena Williams steps onto the court, everyone pays attention to her. Now he commands the identical respect in boardrooms. By Serena Venturesdoesn’t invest only in start-ups; is revolutionizing the VC game.

With over 60 firms in her portfolio, Williams doesn’t just write checks – she modifies lives. In 2022, she raised a staggering $111 millionbut here’s the most effective part: it’s focused on founders who’ve been marginalized previously. From beauty disruptors to ed-tech innovators, Williams embraces diversity. And let me inform you, this bet is paying off.

Breaking records and glass ceilings: How Black women athletes are changing business
Allyson Felix on the 2024 Glamor Women of the Year held at The Times Square EDITION on October 8, 2024 in New York City. (Photo by Stephanie Augello/Variety via Getty Images)

Remember when Allyson Felix and Nike had that public spat? Instead of letting this derail her, Felix tied his shoelaces and jumped right into entrepreneurship. Enter Saysh, its originator within the sports footwear space.

This isn’t one other celebrity brand. Felix saw a niche available in the market – athletic shoes designed for women’s feet, not only smaller versions of men’s shoes – and rushed to fill it. Thanks to Series A funding of $8 million Saish it is not only a brand; this statement. Felix says, “If you don’t give us what we need, we will create it ourselves.”

Renee Montgomery: Changing the sport from the owner’s box

Breaking records and glass ceilings: How Black women athletes are changing business
Renee Montgomery attends the Netflix Los Angeles Premiere of ‘Starting 5’ held at The Egyptian Theater Hollywood on September 23, 2024 in Los Angeles, California. (Photo by Michael Buckner/Variety via Getty Images)

Renee Montgomery not only retired from the WNBA, but additionally stepped up. As co-owner of the Atlanta Dream team, she not only initiates actions – she initiates decisions that affect the complete league.

This move isn’t only historic; it’s revolutionary. Montgomery’s transition from player to owner is like going from reading a book to writing it. She’s not only in the sport; it changes how it’s played, who can play it, and who advantages from it.

Let’s not beat across the bush – the road to entrepreneurial success is steep, especially for black women. The ProjectDiane 2022 report exposed the ugly truth: Black women founders received a paltry 0.27% of total enterprise capital investment in 2018-2019. It’s like running a marathon in cement shoes.

But that is where athletes shine – they are used to defying adversity. Take Candace Parker. Not only did she collaborate with Adidas; she signed a contract for her own signature line, and to top it off she even became president Adidas women’s basketball. In a world where female athletes in statement shoes are as rare as unicorns, Parker doesn’t just play the sport – she modifies the consequence.

There can be Nneka Ogwumike – WNBA star, Adidas athlete and trade union president. He’s not only fighting for higher pay on the court, he’s fighting for equality within the boardroom and leading the best way within the media. Her moves are a masterclass in harnessing athletic prowess for long-lasting results.

It’s not nearly individual success stories. It’s about making a plan for the following generation. Young athletes watching these women don’t just dream of gold medals – they imagine constructing an empire.

Ripple effect

When these athletes-turned-entrepreneurs make waves, they do not just disrupt industries, they transform them. They prove that skills honed over years of sports discipline – resilience, strategic considering, teamwork – are invaluable within the business world.

Their success isn’t just personal; it is common. By breaking into spaces traditionally closed to them, they open doors for others to follow. They don’t just construct firms; they create a legacy that can outlast any sporting record.

The impact of those women goes far beyond balance sheets and financial results. They change narratives, challenge stereotypes and redefine leadership. In this fashion, they not only change the foundations of the sport – they create a very recent field of activity.

As we glance to the long run, one thing is evident: the following generation of game changers won’t just appear on our screens and stadiums. They will serve on our boards, lead progressive firms and spearhead social change. They can even have the chance to thank the pioneers, athletes-turned-entrepreneurs, for showing them that the trail to victory doesn’t end after they leave the court – it is just just starting.

This article was originally published on : www.essence.com
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