There is just one Solange Piaget Knowles. And she does all the pieces – curating, music, directing, etc. And remember so as to add beauty trendsetter to your list.

We saw her kinky updos, trimmed blowoutsflipped bobs, a number of braided moments and more. As for this week, Solange tell us Holy Heron‘S El Dorado Ballroom this is not the only thing for which he uses his curatorial nature.

To accentuate the nostalgic style – the textured pouffe that lots of us know well from childhood – she pulled her long, kinky hair back into a low ponytail, tied with a silk brown bow (which matched her eyeshadow).

Last month, she attended New York Fashion Week in thick braids. Then, a few weeks later, she wore her hair in Milanese-style braids. Now before the next Eldorado orchestra in Los Angeles Philharmonicthe musician returns to the classic look.

This beautiful moment is a nod to the undeniable fact that in terms of hair, sometimes less is more, and the “underdone” look is equal parts elevated and chic. Its knots, sealed with a bow, are suitable for any occasion – even the opera.

Today, Netflix released a trailer for the second a part of the series, which is scheduled to premiere on October 25.

The final two episodes of this 4-part series offer an intimate have a look at Biles’ remarkable return to the Olympic stage. Directed by Katie Walsh, the documentary chronicles Simone’s journey through the 2024 U.S. Olympic Games, where she earned a spot on Team USA, and her historic performance on the 2024 Paris Olympic Games.

Viewers will witness Biles triumphantly win three gold medals and one silver medal, while also gaining insight into her personal battles and victories off the mat. explores not only her dominance in gymnastics, but additionally her resilience, her journey to mental health and the strength it took for her to rise again after withdrawing from the 2020 Tokyo Games.

With exclusive access to Biles’ experiences, fans may have the chance to follow along as one of the crucial decorated gymnasts in history continues to encourage the world.

Take a have a look at the trailer below.

When she founded Kendra Walker Atlanta Art WeekIts aim was to support artists and highlight the city’s cultural landscape. As it enters its third 12 months, it has grow to be a much-needed effort to bring together galleries, artists, collectors and art enthusiasts to promote education, economic development and art appreciation each locally and abroad. For this esteemed artistic advisor and author, looking back on the past week’s successes is vital, but it surely’s most vital that she looks forward so she will be able to proceed to evolve and thrive.

Although this significant event may occur in 2022, its founder began her artistic journey long before it took off. Walker’s introduction to art was unexpected, sparked by studies abroad that exposed her to some of the most prestigious institutions in Europe, including the Louvre and Tate Modern.

“Before this trip, I had no formal education or knowledge about the art space,” she recalls. “It was this trip as part of my formal art history training where I was first exposed to the art space.” This encounter, combined along with her art studies at Georgia State University and several other key internships, laid the foundation for a profession she describes as a “beautiful and unique” experience.

Atlanta Art Week was born out of Walker’s observations of the city’s growing artistic atmosphere. “I watched our ecosystems thrive and be so active,” she explains. Inspired to create a platform that might amplify contemporary art on a regional level, Walker’s vision was to establish a moment in time that might encourage travel, exposure and expansion for local and international artists. As a result, the event quickly grew in popularity since its inception, attracting over 2,000 ticket holders in its first 12 months.

Reflecting on the event’s early achievements, Forbes 30 under 30 Honoree appreciates the enthusiasm of the city’s artistic community. “I think it was able to thrive in the first year because of Atlanta’s readiness for something like this,” Walker tells ESSENCE. Without a large social media following, AAW relied largely on word of mouth and support from the local arts association.

As the event grows, so do the challenges. In the starting, Walker’s predominant focus was selling the idea of ​​Atlanta Art Week to participants and supporters. “You’re very much in grind mode. By the third year, the same type of sales presentation is no longer necessary.” Now he’s in a recent phase where reflection and development take precedence. “It’s definitely a different set of things that we’re thinking about and considering three things today compared to when we started,” he says.

One of the key facets of Walker’s work is her identity as a black woman in the arts. While she approaches her craft with professionalism, she is acutely aware of the role of race, gender and age in her experiences. “My passion is Black artists, BIPOC artists,” he says. “I naturally try to help open doors or create opportunities that I would want.” However, Walker is committed to inclusivity, ensuring that Atlanta Arts Week represents a wide selection of voices and perspectives.

Looking ahead, Walker anticipates AAW will proceed to grow over time, with an emphasis on expanded programming, modern exhibitions and more educational content. He hopes to involve more universities and even middle and high schools in the project. As she continues to construct on her child’s success, Walker’s commitment to cultivating Atlanta’s art scene and creating opportunities for artists stays at the heart of her mission.

“I think Atlanta Art Week has helped people from out of town, from all over the world, take time to explore together,” Walker says. “It also created an opportunity for the Atlanta arts community to really come together and really amplify all the amazing work that’s going on – now the world can see it.”