Celebrity Coverage
Kyanna Simone Enjoyed Filming ‘The Supremes at Earl’s All-You-Can-Eat’ So Much She Had ‘Separation Anxiety’ Afterward – Essence
Kyanna Simone. Photo: Savanna Ruedy
Kyanna Simone stars this month in a movie telling a story concerning the power of chosen family.
The comedy follows three women, Odette, Barbara Jean, and Clarice, who, following a series of misfortunes in old age, are forced to reflect on the seeds they sowed in adolescence. Set in two distinct time periods, the mid-Nineteen Sixties and the late Nineteen Nineties, the film was adapted from novel by Edward Kelsey Moore.
“It’s a feel-good movie, and it’s reminiscent of movies like ,” Simone tells ESSENCE. “I feel like it’s a good time for us to do it again.”
The characters support and challenge one another throughout their lives. Jokingly in comparison with a cult girl group by their beloved bar owner, they proceed to operate as “The Supremes” from childhood into maturity.
“I’m very fortunate to have a family, but God, it’s so good to be able to meet someone where they are, whether it’s middle school, high school, college, anywhere in life, and choose that person,” Simone said.
The bond between the characters might be familiar to many black women. “There’s something to be said about how strong friendships can be when you can choose those people,” Simone said.
“When it comes to black women in friendships, I mean, those platonic relationships are super, super important,” Simone continued. “Your sisters are going to be there for you throughout your life, your girlfriends, your sisters, your Supremes. They’re going to be there for you through your romantic relationships, as they come and go.”
The younger versions of the ladies are played by Simone, Tati Gabrielle and Abigail Achiri.
Their older counterparts are played by Sanaa Lathan, Uzo Aduba, and Aunjanue Ellis-Taylor. Simone plays the younger version of Ellis-Taylor’s character, Odette, in Tina Mabry’s Hulu film.
“My biggest goal was definitely to embody [Odette]and to speak her words and let her thoughts and energy be known to the audience and visible to the audience. And then right after that, it was really about doing justice to Aunjanue. I mean, those are big shoes to fill,” Simone said. “I just wanted to make sure I lifted my side so that it would be very smooth as we jump into the ’90s.”
Simone devoured the book to evoke Odette’s supposed fearlessness.
“I actually read it in two days,” she said. “I wanted to make sure Odette felt real.”
She worked with the director to solidify Odette’s teenage fantasy, where her character goes on the attack to guard herself and her black friends, moderately than a cheesy comedy a couple of sassy black girl. “Tina Mabry plays a big part in that, but I had to really focus on the fact that Odette wasn’t trying to show off,” Simone says. “I didn’t want it to come across as showing off or putting on a performance. I wanted it to come across as someone who knew she had to do whatever it took to protect her new friend.”
Simone researched on a regular basis black life during that point period to organize for the role. “A lot of times when you think about the ‘60s, your immediate thought process is civil rights, Martin Luther King, racial injustice. And I think Supremes really captures that and shows these sweet pockets of childhood inspiration.”
Simone hit it off with Gabrielle and Achiri while filming the film. The young actresses are at the same stage in life to their characters.
“We hit it off right away; we ended up on the same plane, Tavi and I,” she said. They connected with Achiri and reflected on their success to have the option to inform a robust black story together. “It’s rare and it’s beautiful,” she said.
“We all came out,” she said. “We sat down and realized that for all three of us, this was the first time we had really gotten to work with other women who were in the same situation as us.”
“The conversations were so detailed,” she said. “We shared such similar experiences that it was almost like a family reunion with family I hadn’t met yet.”
Simone rekindled a spark between herself and her castmates that she missed after the project ended.
“When we finished filming, the separation anxiety was enormous.”
Is now streaming on Hulu.
Celebrity Coverage
MAC Celebrates 40 Years with Black Women – Essence
Arnaldo Magnani/Getty Images
Since 1984 MAC Cosmetics has a unbroken influence on the black community, providing us with essential tools and a variety of shades.
Think: their annual Glamour Ball VIVA— which has welcomed glam-clad guests like Mary J. Blige, Eve, Fantasia, Diana Ross, and more. Additionally, with its backstage presence at fashion weeks over time, with supermodels Naomi Campbell and Iman, MAC has proven to be accountable for the makeup behind a few of the biggest beauty moments in popular culture history — including Lil’ Kim’s archival metallic lipstick.
Now, as we have fun their fortieth anniversary during Fashion Week (where the brand will sponsor shows by Area, Kim Shui and Luar), we glance back on the legacy they built for black women.
“I think the brand, more than ever, is still rooted in what made MAC special from the beginning,” Aïda Moudachirou-Rebois, senior vice chairman and general manager of MAC, tells ESSENCE. “Artistry, inclusivity, culture… that was the heart of the brand, so that we could help people in our community who needed it the most.”
Despite the noise and competition in a saturated industry, MAC has remained the loudest within the room—largely due to its ability to take heed to its community. That means internally, too.
For MAC makeup professionals, Romero JenningsBeing with a brand for nearly 30 years means being heard. “I feel like I helped build and sustain that brand all those years ago,” he says. “Now, a lot of brands would say it’s on, but we had it from the beginning, which is why we had such a huge following of Black and brown people back then.”
Jennings recalls women from Harlem and the Bronx visiting MAC Studio Fix Powder Foundation because no other brand had their shade. “A lot of people would say it was their first time doing makeup because before you had to mix or the colors weren’t right or they were too light,” says Jennings, as a powdered Grace Jones and the Prince.
Meanwhile, lip pencils developed firstly, we use them to at the present time (as Uche Natorifavorite shade chestnut) alongside the lipsticks we crave like CD 96, gave black women the representation they deserve.
Beyond products, MAC has built initiatives to support its teams and customers from inside. From participating in Black Beauty List to investing in funds, grants and creating internal secure spaces like Black At MAC and MAC Movement, the brand’s foundation is rooted not only in culture but in addition in influence. “We don’t have a ‘one size fits all’ approach because that’s kind of performative and a box-ticking thing,” says Moudachirou-Rebois.[We’re] “we really continue to strive to elevate culture in all its nuances.”
With 22% of MAC customers identifying as black (in comparison with the common 8% of U.S. luxury beauty consumers), the brand’s future is in our hands. “We don’t like to think of ourselves as a makeup brand, but as a cultural brand,” she says. “We have a responsibility to that consumer to really meet their needs.”
Celebrity Coverage
Best New Music of the Week: Megan Thee Stallion, Lola Brooke, Flo Milli & More – Essence
Happy Friday, folks. As the first weekend of September heralds a brand new season, the music world is heating up with fresh releases that set the tone for the coming months. With a mix of energetic tracks and soulful melodies, these latest tracks are the perfect strategy to end the week.
Today, Flo Milli rocks “Wet Dreams,” while Leon Bridges brings his signature smoothness to “Laredo.” A$AP Rocky and J.Cole team up on “Ruby Rosary,” raising anticipation for the upcoming album. Our roundup includes music from Megan Thee Stallion, Queen Naija, Durand Bernarr, Lola Brooke, and more.
Check out the best latest music of the week.
Celebrity Coverage
NFL and Roc Nation Unveil 2024 ‘Songs of the Season’ Featuring New Track by Flau’jae and Lil Wayne – Essence
ATLANTA, GEORGIA – AUGUST 22: Flau’jae Johnson performs onstage during Nightcap Summer Sessions at the Buckhead Theatre on August 22, 2024 in Atlanta, Georgia. (Photo by Julia Beverly/Getty Images)
If you are on the lookout for another excuse to sit up for fall — besides sweater, over-the-knee boots, and pumpkin spice weather — the NFL is back with a highly anticipated season of 2024 .
The year-long celebration, which kicked off on September 5, will highlight fresh music from superstars and emerging artists and highlight talent across all genres during the 2024-2025 NFL season. Fans can expect to listen to these songs on NFL platforms and broadcast partners, including NFL Network, NFL+, in-stadium during games and on social media channels.
The season kicks off with Flau’jae’s powerful anthem, “Came Out A Beast,” featuring the iconic Lil Wayne. The track, delivered by ROC Nation Distribution, brings a surge of energy that is predicted to fuel NFL games across the country.
Flau’jae is not just a rising star in the music world; she’s also a fierce competitor on and off the court. Born and raised in Savannah, Georgia, she became the first McDonald’s All-American to affix the LSU women’s basketball team, where she helped win its first NCAA championship. Now, she’s taking that winning spirit and channeling it into her music profession.
“I’m excited for the NFL season to start and having my song at the top of the charts means a lot to me, especially next to a legend like Lil Wayne,” Flau’jae said. “I’m a competitor at heart, whether it’s on the field or in the studio, so I can’t wait for my music to bring that same energy to the game.”
Seth Dudowsky, head of music for the NFL, emphasized the critical role music plays in the sport, stating, “Music is an integral part of everything we do at the NFL, and this year’s Songs of the Season are designed to capture the energy and passion that defines the sport.” The initiative also supports the NFL’s platform for promoting social justice initiatives — an ongoing effort to raise Black voices and address issues affecting the Black community. In addition to Flau’jae’s hit, the playlist includes songs from artists reminiscent of Benny the Butcher, Rapsody and John B.
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