Hip Hop Superstar Drake now complains about the performance of the competing rapper Kendrick Lamar “Not Like Us” during this yr’s Super Bowl, adding him to his lawsuit for defamation against the Universal Music Music Group over the song Diss and his allegations of pedophilia against Drake.

“The recording was made during the Super Bowl in 2025 and broadcast to the largest audience in the Super Bowl program during the break, over 133 million people, including millions of children and millions of others, who have never heard the song or any of its previous songs before,” says the modified process on Wednesday at the Federal Federal Court.

He adds: “It was the first and hopefully it would be the last program during the Super Bowl break to murder the figure of another artist.”

Although Lamar removed the word “pedophile”, which is on the track during the show during the break, the undeniable fact that he was omitted showed that “almost everyone understands that he is defamatory,” says the suit. He also claims that Universal Music has used the financial advantages and business relations used to secure the place for Lamar in Super Bowl and promote the performance.

“Drake’s changed complaint makes the strong case stronger,” said his lawyer, Michael Gottlieb. “Drake will reveal evidence of the wrong behavior of the UMG, and UMG will be held responsible for the consequences of his misunderstood decisions.”

According to Nielsen, this yr’s Super Bowl show and her during the break were most frequently observed in history.

In an announcement corresponding to the submission of a court, Universal Music, the home factory of each artists, still denied Drake’s allegations.

“Drake, undoubtedly one of the most famous artists in the world and with whom we enjoyed a 16-year successful relationship, is misled by his legal representatives to take one absurd legal step after the second,” the company said. “It is shameful that these stupid and frivolous legal theater is ongoing.”

Drake spokesman said in a prepared edition that the artist “has the largest music conglomerate in the world responsible for his actions and does it without fear.”

The modified lawsuit also adds that the defamatory parts of “Not Like Us” were played during Grammy Awards in February, when the single won five awards, including Song and Record of the Year. The lawsuit claims that Universal Music also helped secure the Nominations for the Grammy Award and allowed to recreate the song during the ceremony.

Drake sued universal music, but not Lamar, for undisclosed compensation in January, saying that the company published and promoted “not like us”, despite the false allegations of pedophilia and suggestions that listeners should resort to Vigilante justice.

The result, as the lawsuit says, was intruders shooting at the bodyguard at Drake’s house in Toronto and two attempts to burgle, hatred online and harassment, successful of his status and a decrease in the value of his brand before renegotiating the contract with the Medical University of UMG this yr. The modified process also adds more online comments indicating that folks consider pedophilia accusations.

Drake, a 38-year-old Canadian rapper and singer and a five-time Grammy winner and Lamar, a 37-year-old Pulitzer award with 22 Grammy wins, they’ve been gaining for years. Feud is one of the largest in Hip Hop in recent years.

Both were sporadic collaborators over a decade ago, but Lamar began running publicly on Drake since 2013. The fight increased rapidly because they each introduced paths, including Lamara “Not Like Us”.

“Say, drake, I hear how you like young / better never go to Cell Block One”, Lamar raps.

In his request to reject the claim, Universal Music claims that Drake has helped drive beef along with his own inflammatory DISS works directed to Lamar.

“The reason, one of the most successful artists of all -time recordings, lost the rap battle, which he provoked and in which he willingly participated,” says Ruch. “Instead of accepting a loss, such as an indefinite rapper, who often claims, he sued his own record label in an incorrect attempt to plant wounds.”

Snoop Dogg, who never met a musical genre that was not ready to fight, returns to introduce a little bit more Jesus to our lives. By Instagram videoSnoop shared that he would abandon his second Gospel record on April 27 via Death Row Records, a once restless label, where he began that he is now the owner.

The new album, entitled “Altar Call”, is searching for an analogous format for its previous album, “Bible of Love” from 2018, which contained songs each with Snoop Dogg. Like the previous offer, “altar”, according to the Snoop image given in his film on Instagram, comprises the litany of the presented artists from the secular communities and the Gospel. Among the artists are John P. Kee, Jamie Foxx, Mali Music, Camille Grigsby, Robert Glasper, Jazze PHA and October London, together with Death Row Records artists, akin to any singers of Mass Mass Death Row.

“Good morning, loved ones. On April 27, I drop the Gospel album on Death Row Records. This is called” Altar Call “, Snoop shared in the film.

According to BillboardThe album cover comprises a photograph of his mother, Beverly Tate, who died in 2021 in an interview with Okay. Snoop explained his mother’s influence on the project and why he decided to honor her with the art of the album.

“My mother’s spirit lives in me forever. This album is a reflection of what she taught me – use my voice and my platform to spread love and heal the world. Just another chapter from the Bible of Love.”

If the music played in IG has any tip, the album, like its predecessor, goals to mix gospel and r & b, and naturally hip-hop, due to the brand name and creator of the project.

Since no Gospel project announced on Instagram is complete with out a compulsory nod to the Supreme, Snoop ended his video with the only way.

“It’s good!”

Amen.

The Federal Prosecutor in New York said on Monday that lawyers with a mogel of Sean “Diddy” Combs are looking for reasons why he delays the sexual trade process, which is to start in three weeks.

This month, the most recent version of the accusation against Combs, 55, added two latest allegations this month, but he still didn’t request, said prosecutors. This, in addition to possible delays from the routine means of sharing evidence with each side, called Discovery, meant that prosecutors thought that he could get stuck in time, said the assistant of the American prosecutor Christa Christa Slavik.

Combs has been closed and not using a deposit since his September arrest. He again handled the guilty accusation at Monday’s hearing, but in addition remained dispassionate within the courtroom.

Judge Arun Subramanian told COMPS lawyers that they’d on Wednesdays to ask for a break within the trial to devote time to discovering.

“We are a freight train heading for the trial,” he said.

Marc Agnifilo, representing Combs, said that defense may ask for a “very short” two-week postponement over the problems of discovery, including the shortage of presidency of asking a key witness to transfer 200,000 its e-mails, and never only permission to emphasize those that they think were essential.

The latest version of the indictment, filed on April 4, added two latest allegations and accused the comb of using force, fraud or coercion to force a lady to engage in business sexual acts from no less than 2021 to 2024.

He also claims that Combs was involved within the transport of a lady who was only as “victim-2”-and other people, including business sex employees, in the identical period engaging in prostitution.

The latest allegations have strengthened the indictment, which has already charged him with a conspiracy of racketeers and sexual trade.

Federal prosecutors stated that the allegation of a crunch of racketeers covers the accusations that the Combs-SEX-Traffish three victims and compelled to the fourth, considered one of his employees, to sexual intercourse with him.

His lawyers responded to the most recent version of the indictment, saying that she didn’t add any latest allegations or prosecutors and anxious only former long -term girls involved in consensual relations.

Prosecutors say that Combs forced and used women for years because he used his “power and prestige” as a music star to draw a network of colleagues and employees to help him when he silenced the victims through blackmail and violence, including kidnapping, arson and physical bits.

They say that the founding father of Bad Boy Records prompted drug victims, intricately produced sexual performances with men’s sex employees in events called “waaks”.