“Power Book II: Ghost” has come to an end. In a way. I’m not even sure the writers really know the show is over. By the time the curtain fell on the ultimate seconds of the ultimate episode of the second installment of the “Power” universe, I was each wistful and confused. For starters, the one significant deaths we had this season were Monet Tejada (RIP) and Noma, who form of needed to die for the show to finish. I really expected a much higher body count at the top of the show, but your entire Tejada family (Cane, Dru, and Diana) are still alive – more on that later – as are Tariq and Brayden. Oh, and Effie, who we actually need to speak about later. In the show that is coming to an end, the writers left a lot food on the table that the mother became irritated.

As such, I have 10 questions now that the series has “ended.” I put that in quotes because there isn’t any way these persons are going to complete. It cannot be. What else will Michael Rainey Jr. do if he doesn’t have a show to host? Anyway, I have a number of questions; I’m sure you could have the identical questions.

1. So Tariq will just win? Really?

Tariq’s character is crazy. When Power ended, people (including me) hated Tariq. By the top of Ghost’s first season, Tariq was back in all our good graces. But he was also here getting dirty, fiddling with drugs, shooting professors, and wearing the very best designer clothes while running literally all over the place. His drug dealing never really looked as if it would get any higher, although his murder game did improve. Tariq being the highest of the mountain of drug dealers in New York is mindless, but here we’re. I just do not get it relating to storytelling. Nothing on this show suggests that Tariq needs to be alive, much less at the highest of the food chain. But here we’re. Apparently the 50-11 times over the previous few episodes that they tried to inform us how smart he was were to make sense. This isn’t the case.

2. Speaking of Tariq winning, what happened to that little mid-credits scene where Tariq is on the phone with someone talking about doing business?

Tommy…is that you? The little things the writers unnoticed that suggested Tariq’s story wasn’t over were each cool because I love this show and annoying because they told us IT’S THE END! Le sighs.

(*10*)3. Will Diana develop into the brand new Monet?

Speaking of crazy character relationships, Diana went from telling the cop who beat her up that she wasn’t Colombian… to becoming Colombian. Diana wasted the direct shot Cane fired at Noma (more on that in the following section) to kill Noma’s daughter, Anya – who really didn’t need to die, but that’s the way in which the sport is played – so that Noma would understand what it felt prefer to lose someone she loved. has loved since Noma (or her crew) killed Monet (RIP) in front of them. When Noma died, as a substitute of using it as a possibility to get out of the sport, Diana – not Cane or Dru – talked about restarting the family business and getting back to the highest. Diana seethed in her final scene, sitting in Monet’s place at the pinnacle of Tejada’s table; Diana desires to take to the streets and desires to return back. I would not even be surprised if we had a brand new Power VI: Monet series where Diana rules Queens and fights for Tariq’s throne.

Oh, and we will ignore the little part about Tariq dropping Anya off at Noma’s hideout with the windows down and Noma not coming out and shooting Tariq. There is literally no universe through which this part is sensible. Noma was so blissful that Anya was dropped off that she didn’t care who dropped her off? Come. The. BLIP. ON.

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4. Poor Effie.

It’s not even an issue, just an announcement. I mean, she loved Cane a lot that she made sure he was okay and gave him ALL her money so he could leave town and he took the cash and kissed her on the brow. I bet Effie hoped he’d say, “Let’s go to California together and do something about robots.” Cane doesn’t. And now Effie is back in Stansfield, where she runs probably the most profitable drug distribution app on this planet, and Stanford’s robotics program has develop into an element of a life she is going to never know. Worse still, since Noma and Monet were dead, Effie was truly 100% out of the sport, free and clear. Now she’s still selling drugs and her boo has taken her money and gone into oblivion. Everyone else deserved to finish, but not Effie and Anya.

5. Cane, Dru, and Diana make an interesting trio of drug-dealing mercenaries, don’t they?

Dru has develop into the final word bad boy, Diana now wants Monet’s place, and Cane is definitely one in every of the truest to ever make it in Queens, which is saying something considering the drug dealers and beefcakes in Queens. I’m not saying I would watch Power Book VII: The Tejadas, but I’m not saying I won’t either. Of course, for this to occur, Dru must return from Paris, where he received an art scholarship, and they have to find Cane, whose latest profession path is a little more difficult to predict. I’m just saying it is perhaps fun.

6. I hate it about Brayden, but Brayden deserved to be demoted, amirite?

Look, I think all of us thought Tariq and Brayden were going to be the brand new Ghosts and Tommy, but they really undermined Brayden’s story this season. He lost rather a lot for Tariq after which became a drug addict and a maniac of creating bad decisions. He desired to be a partner and Tariq rightly told him that he wasn’t partner material. Brayden was here, spoiling money, business, telling them about business, shooting people. Brayden was 100% responsible, although that begs the query: If Tariq doesn’t think he’s cut out to be the massive boy in the sport, why would he even let Brayden run your entire fight club/drug front operation? Is it “Oochie Wally” or “One Mic”?

(*4*)7. Why didn’t they shoot Noma when she screamed on the steps holding Anya after Diana shot her?

This is the most important plot hole in your entire episode. We’ve already established that it’s crazy that Tariq could drive up, roll down the windows, and drop off Anya and never face a barrage of gunfire from whoever was hiding in the home with Noma. But the very fact that Noma is alone on the steps and Cane DOESN’T shoot her when she’s alone is crazy. Nothing on this scene is sensible. Nothing. Except perhaps dragging Tariq off the stage so Noma’s brother would not consider Tariq was an element of it. In this manner, he’ll cooperate with Tariq… who can develop into a “ghost”.

8. Oh, killing Carter can also be a plot hole, nevertheless it’s nice that they tied it up in a bow. Oh… a word?

I cannot lie. I laughed a bit of after they framed Carter by having him testify as Det. Nicco steps out of the shadows, hurt that Carter ratted him out. This entire task force is so dirty that if Carter goes down, the NYPD will literally go down. And yet here we’re. Det. Nicco had an issue with Carter killing Kamal Tate, but not with the litany of actual crimes they committed while wearing the badge.

9. Where is Cane?

This is what interests me most. Cane is crucial for the long run here. Tariq running New York through an Ivy League institution is cute and all, but Cane was the revelation of this show. Making him disappear is a brilliant idea because he can appear ANYWHERE in any show. Maybe even Chicago? Free the chick, yo.

10. What’s next?

Tariq arrange his entire camera. He is in touch with Noma’s brother, Effie and Brayden, who still run their businesses, have a fly wardrobe, and Davis remains to be alive and handles all financial and legal matters. Tariq has develop into a Ghost, or a minimum of a version of a Ghost who probably won’t fall in love with some random highschool boy who happens to be an assistant district attorney within the federal government. They left that door open for a totally latest series or a return to this one, but Tariq also seems more level-headed (type of) than his dad and has learned from that. Will Tariq complete this degree? How many credits is he missing? What 12 months is he now? Where does Tariq’s story lead him?

Until we meet again, Tariq… we’re all waiting.

Halloween should still be 30 days away, but Janelle Monáe can have just won. Not only does the singer and actress host AMC’s annual “FearFest,” but she was officially crowned its “HalloQueen.”

IN trailer for the annual horror show released on Monday, Monáe returns to his signature tuxedo style for this 12 months’s installment of the horror classic.

“Behind these doors is a month-long celebration of your favorite frights: FearFest,” the “Antebellum” actress begins within the trailer, before introducing a spread of upcoming titles including “Halloween,” “Child’s Play,” “Carrie,” “The Shining.” ” and more, totaling over 700 hours of content.

According to AMC’s announcement, Monáe will likely be present throughout the month-long event, “sharing her love of the genre, her favorite thrillers, and showcasing her knowledge of horror music and musical skills.”

On AMC+, viewers may also watch a variety of Monáe-curated movies, dubbed Janelle Monae’s “FearFest,” including “An American Werewolf in London,” “Candyman” (1992), “The Fly,” “Killer Klowns From Outer Space,” “Lord puppets”, “Jeepers Creepers” and more. The award-winning artist and performer promised that viewers can have an excellent time.

“Gather your friends and get ready because this ride is going to be terrifying,” she said in the discharge.

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She added that her passion for spooky seasons is “rooted” in who she is – from growing up watching horror movies with her cousins ​​to getting nosebleeds from smiling to kill Halloween to Halloween in stunning costumes.

Monáe said People Magazine the hosting gig gave the look of an “organic fit.” Especially in the event you know me and my love for Halloween and horror movies.

Growing up, one of her favorite characters to play was Chucky from Child’s Play.

“I would wear (the mask) around school and then come home and sleep with it on,” she recalled to People. “And then someone stole it and I do not know what happened after that. I never got it back.

In recent years, she has celebrated Halloween as Diva Plavalaguna from The Fifth Element, the Grinch, decapitated bride Annie Bellum, Jekyll and Hyde, The Mask, Willy Wonka and even Chucky.

“Halloween and transforming into characters makes me happy,” she said, noting that talking in regards to the holiday lowers her cortisol levels.

She added: “The rest of the world is finally realizing and giving themselves permission to be stupid, gory, scary, angelic – whatever that means, you’re giving yourself permission to experiment.”

I’m an enormous fan of Natasha Rothwell. Full stop. She was my absolute favorite character on Insecure because she was in a few of my absolute favorite scenes on the show. In fact, when things don’t go my way, I often tell people to “remember me differently” as a nod to the scene where Rothwell’s character, Kelly, was tasered at Coachella and peed herself. Even now, I laugh so hard I tear up watching that scene. I’ve felt like she needed her own TV show since “Insecure,” so when the promo for her upcoming Hulu show, “How to Die Alone,” aired, I used to be 100% on board.

The series, which premiered on September 13, follows Melissa (Rothwell), a New York JFK airport worker whose life is pretty average until she has a life-changing experience that makes her want something more for herself. That “desire” includes her decision to take her first flight — a vacation to Hawaii to attend the marriage of her boyfriend, Alex (Jocko Sims), with whom she is in love and whom she pushed away so he wouldn’t have a probability to leave her. The solid of characters is rounded out by other JFK airport employees who’ve various degrees of importance in Mel’s life.

And then there’s her brother Brian, played by Bashir Salahuddin, who was absolutely HILARIOUS as Officer Goodnight on Southside. In considered one of Mel’s attempts to regain a few of her own joy, she finally ends up on a dating site, meets her brother (who’s married) there, and starts cheating on him, which leads to an episode that takes place on Thanksgiving and is absolutely flawless.

As of this writing, the series has aired six episodes (the last being the Thanksgiving episode, “Let Fear Win”), and I’ll say right away what I didn’t want to say out loud until now: the series began very slowly, and I used to be very, very concerned. Of course, unless it’s absolutely essential, I don’t like to be overly critical of black creative art; as anyone who knows my love for artists like Ray J can attest. I normally find joy within the existence of black art and creativity, and can largely at all times default to the actual fact that something exists, no matter how good or bad it is. This includes anything written, directed, and produced by Tyler Perry, which I once called the scariest thing within the history of cinema.

The thing is, I’m an enormous Natasha Rothwell fan and I wanted the show to be amazing because I need everyone to love her work as much as I do. I wanted to watch the primary 4 episodes (all of them got here out the identical day) after which scream at the highest of my lungs that everyone had to watch the show. But I couldn’t do that. The first few episodes were largely boring and uncomedic, even in the event that they tried to be. It felt like something was missing and since I don’t like to badmouth dark art, mind you, I just decided to keep quiet. I used to be fully prepared to only talk about the show once I met up, which happened, and see what other people thought. It seems I wasn’t alone; the few people I spoke to who had seen it felt the identical way I did, and I saw almost no gossip about it on any of my social media apps. It was just like the show didn’t exist in any respect; I wondered if anyone else was doing the identical thing I used to be; Natasha Rothwell appears to enjoy 100% support among the many black community.

And then got here episodes 5 and 6 — “Trust No One” and “Let Fear Win” — and the character development of Mel and the people round her began to construct. The fun went up a number of notches, and the show seemed to be picking up steam. Episode 6, as I discussed, was on one other level of quality. Brian and Mel’s super-controversial relationship was on full display in a really familiar way, with just the appropriate amount of comedy and solid writing. Now I’m here, waiting for the following batch of episodes, because “How to Die Alone” now seems like the show I used to be hoping for all along. Maybe it’s my fault for expecting something amazing right off the bat, but 4 episodes looks as if enough to gauge where the show might (or may not) be headed. But I’ve talked to other people who find themselves also watching, and, well, it looks as if we’re all feeling the identical way again. The consensus is that we’re all cooking up gas right away.

Now that I can breathe a sigh of relief and say: “he’s a good man, Savannah” (on this case “How to Die Alone” could be Kenneth; although I assume that’s true on this case), I’m excited. I even went back and rewatched earlier episodes; that’s where I’m at with this show now. Natasha Rothwell impressed me a lot along with her work on Insecure that I used to be waiting for her probability, and he or she took advantage of it and placed on a superb show that I hope gets a probability to really take off.

Now I’m fully invested within the book How to Die Alone and I hope many other individuals are as well.