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‘American Fiction’ Starring Jeffrey Wright and Sterling K. Brown Explores the Many Ways You Can’t Put Black People in a Box — and It Deserves All the Awards

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‘American Fiction’ (Photo: @americanfictionmovie / Instagram)

With five major Oscar nominations and a BAFTA win for Best Adapted Screenplay, there’s a lot of buzz around it Cord Jeffersonthe glorious directorial debut of “American Fiction” is about to succeed in a glorious crescendo.

A superb, astutely self-aware and outrageously funny drama about a frustrated black professor-writer’s literary prank gone awry, based on Percival Everett’s 2001 novel “Erasure.” Written for the screen by Jefferson, it’s the story of Thelonious Ellison (Jeffrey Wright), under the pseudonym Monk, the creator of smart, academic books that do not sell. Deeply irritated by the largely white publishing industry’s refusal to take a look at the African American experience beyond masking and blaxploitation, obsessive about “killer dads, rappers, crack” and their constant “fascination with black traumatic porn”, he decides one evening “Rub their noses in the horse bullshit they are asking for.”

“American Fiction” actors (from left) Sterling K. Brown, Tracee Ellis Ross, Jeffrey Wright, Issa Rae, Erika Alexander. (Photo: @americanfictionmovie/Instagram)

The result was “My Pafology” – a book highlighting all the stereotypes about the Black community in obscene hyperbole, written by Monk under the pseudonym “Stagg R. Leigh” – an imaginary convict. “My Paphology” is Monk’s way of giving the middle finger to a literary industry that wishes to cut back the complex identity of its people to race, and race alone. But, to his surprise, the elite white publishing house doesn’t just take it at face value. For this, they provide him a ridiculous advance of $750,000. Even a distinguished Hollywood director approached him with a proposal for a film adaptation. Soon, the profession he had worked diligently over many years to construct snowballed, but in a completely unexpected way.

“American Fiction” is a scathing commentary on how we now have nurtured a culture that likes to stifle people into boxes, relegating the fullness, richness, and diversity of our human experience to a trivial category. But Jefferson fights with all his might. Perhaps his hero has unknowingly written the best novel in a genre he despises. But Jefferson doesn’t do silly things like that. He assures that his film is greater than just obvious racism. Along with Monk’s skilled disillusionment, there’s parallel turmoil inside his well-educated, upper-middle-class family.

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The way Jefferson seamlessly blends the two dimensions of Monk’s life is harking back to a recent Andrew Scott film “We Are All Strangers” (2023). It’s a heartbreaking portrait of a lonely screenwriter who, in his old childhood home, begins to fulfill his deceased parents and check with them about the whole lot he never could because they died in a automotive accident when he was only 12 years old. Around the same time, he also begins to open up and fall in love with a young man who lives in the same constructing as him. Director Andrew Haigh’s delightful psychological fantasy, All of Us Strangers, is like a fever dream that can haunt you at unexpected moments.

While it’s a very different, sharply subversive and categorically humorous film, “American Fiction” hits just as hard. It greater than deserves all five Oscar nominations. Jefferson has been creating tragicomedy for hundreds of years. A former journalist, he has previously written for various highly acclaimed television shows – Succession (2018-2023), The Good Place (2016-2020), Master of None (2015-2021) – and won an Emmy Award for his work on the HBO series “Watchmen” (2019).

In American Fiction, his uncanny skill with the pen gives you a mirror to reflect on, encouraging you to query your deep-seated prejudices. The film’s dialogues deserve a detailed evaluation of their very own. He is piercingly sensible, razor sharp, unflinchingly honest, and crammed with irony and exuberance.

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A couple of scenes stand out. There’s one where Monk is humming “My Paphology” late at night. When he writes dialogue, his characters – father and son – jump off the page into the room and start acting out the scene. Then there are all the conversations he has on the landline along with his white editors, each another outrageously silly than the last. Another standout feature is the sparring discussion he has with renowned creator Sintara Golden (Issa Rae), one other black author who he believes has made her popular.

It’s hard to assume anyone apart from Wright playing the touchy-feely, snobbish Monk. There is a lot noise inside and around him that it might crumble in the hands of a lesser actor. But Wright plays him with such assured restraint that I enjoy watching him unravel, turn out to be the butt of his own joke, unlearn, and then learn a little and loosen up his tight ass. It’s a good, career-defining performance that deserves not only critical acclaim, but additionally a shiny gold trophy.

“American Fiction”, which is currently competing for Oscars in the categories for Best Picture, Best Actor in a Leading Role, Best Supporting Actor, Best Original Score and Best Adapted Screenplay, features an all-star forged: Jeffrey Wright, Sterling K. Brown, Tracee Ellis Ross, Erika Alexander, Issa Rae and Leslie Uggams. The film is now available to observe in theaters and rent on Prime Video.

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What to know about Kid Cudi, a rapper testifying to Sean “Diddy” Combs trial

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Kid Miraci is the most recent celebrity, which is known as to testimony in Sean “Diddy” Combs ‘Sexual trade process in New York.

Popular melodic rapper is to take a position on Thursday And tell the jury about his short relationship 14 years ago with the previous girl of Combs, R&B singer Cassie.

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According to court compositions and testimonies, the Cassie-Cudi relationship, which grew out of two people working on music, sent Combs in madness through which he defeated her. Prosecutors say that Combs was so nervous that he organized a alternative for Międzie.

Combs didn’t plead guilty that he had used his power broker status to abuse women.

Here’s what you would like to know about 41-year-old miracle, whose legal name is Scott Mescudi.

Who is Kid Cudi?

Born in Cleveland and raised, thin-Jean, the award-winning rapper has long celebrated his alternative emotional music, which fills the species in a surprising way without effort.

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Musical blogs and other flavors quickly caught on the only Miracle from 2007, “Day ‘N’ nite”, along with his unique Singsong style, which later appeared in his hit from 2009, “Man on the Moon: The End of the Day” as “Day ‘N’ Nite (Nightmare). The album hits included “Pursuit of Nightmare” and are easily one of the influential rap records of the last 20 years. In September, Diamond was certified by the American Recording Industry Association.

Miraci began as something like protected Kanye west, When the then rapper will not be a signed miracle to his good music label in 2008. Miraci left in 2013.

He appears in “The BluePrint 3” Jay-Z and the breakthrough “808s and heart fracture”. Miracles have all the time had a watch and an ear towards innovation. In 2022, his album “Entergalactic” was released together with the Porcantic Comedy with an adult Netflix of the identical name, which he The Associated Press said He allowed him to “examine the summary.”

What is the commitment of Kid Cudi in Combs and Cassie?

Cassiewhose legal name is Casandra Ventura, was the major witness of the trial with its relations of years of violence and sexual abuse.

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She testified that Combs had an appointment with Między Muzy in 2011 to work on music. Both of them began to meet soon, and he or she said that she got a phone from Burner to secretly communicate with Miraci.

Cassie said that she and combs broke up at the moment, although they still handled sex events that Combs organized. Cassie testified that in considered one of them, Combs checked out his phone and learned about the Między Międzie.

In response, She said he was throwing at her With a corkscrew and kicked her within the back.

When Cassie and Combs were outside the country in 2012, Combs told her that the Miraci automotive can be blown up, and Combs wanted Miraci’s friends to see it, testified by Cassie.

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On Tuesday, Cassie’s mother, Regina Ventura, testified that Cassie said that her comb was so bad on her relationship with Miraci that she planned to release her sexually clear movies and send someone who hurt Cassie and Miraci.

Cassie testified that Miraci got here to visit her at her mother’s house at Connecticut during Christmas in 2011, and he or she broke with him, fearing each of their safety.

Associated Press often doesn’t call individuals who claim that they were sexually abused, unless they seem in public, identical to Cassie.

Newer music kid cudi and acting

His latest album, “Insana” arrived last 12 months. Shortly after the discharge of “Insany (Nitro Mega)” a partner arrived, through which Khalifa, Push T, Steve Aoki and others appeared.

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On May 9, Miraci released his latest single “Neverland”. A brief film of the identical name, directed by Ti West and produced by Monkeypaw Productions, shall be the premiere Tribeca Film Festival In June.

Also in May, Miraci officially launched his recent WZRD clothing label.

Bold fashion was a long -term passion for miracle; The rapper works with brands resembling Bape and Adidas. He collaborated with deceased designer Virgil Abloh, and in 2021 the Frontman Nirvana Kurt Cobain Wearing a floral dress on the stage designed in an ablo-white dress “Saturday Night Live”.

Last week, he announced an engagement for a designer of men’s clothing Lola Abecassis Sartore.

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Miraci can be a famous actor who appeared in lots of feature movies and tv programs. They include 2020 “Bill and Ted will face music” Original Netflix 2021 Netflix “Don’t look up” The HBO series “How to make it in America” ​​and the shiny remake of “House Party” in 2023, through which he played straight as an anti -social Lurker, who doesn’t like events (“too much laughter”) and only wanted to give his friend Lebron a poem, as Lindsey Bahr Bahr She wrote in her review.

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The writers of Associated Press Michael R. Sisak and Andrew Dalton contributed to this report.

Kid Miraci says that the role of

(Tagstotransate) cassie

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Lala Anthony learned that looking as rich is not rich – now she divides the habits that built her wealth – essence

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Lala Anthony learned that looking on a rich one is not rich - now she divides the habits that built her wealth

Los Angeles, California – February 28: Television personality La La Anthony participates in the seventh annual Women in Entertainment summit at Skirball Cultural Center February 28, 2024 in Los Angeles, California. (Photo Amanda Edwards/Getty Images)

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Lala Anthony has at all times been throughout my adult life.

From early days as a radio personality, PO will turn into a everlasting element of our homes on our favourite television reality and sitcoms (not to say our favourite wife of basketball of all time), she managed to tell apart in the entertainment industry, during which the flashy lifestyle appears to be a condition for fulfillment. However, during her journey, Anthony operated completely on a special wavelength.

The actress, producer and businesswoman built a profession lasting a long time, following her passion, and not chasing payments, a refreshing approach that served her well. “I have never started working because of the payment or what she paid,” said Anthony during our last conversation before his appearance in the upcoming fourth season, broadcast on April 15 YouTube Sofi Channel. “I took up a job because I was with their passionate or it was the things I wanted to do. For this reason, the money ended.”

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This philosophy was not at all times easy to keep up, especially in the early acting times, when financial stability was not guaranteed. “I loved to behave so much that in my initial years I was ready to do it for free, because it was not that people gave me such work,” she explained. “I wanted this experience. I wanted to learn.”

These modest beginnings ultimately led to roles in the hit series, such as confirming her approach to striving for passion for payment.

Anthony’s profession began on the radio as a youngster before she went to television as VJ on MTV. This early exposure to fame provided useful educational experiences regarding finance.

“I bought things that had no value to look at this role,” said Anthony, when asked about the money errors she made. “It was good if I lived in an apartment with four of us in one bedroom, but as long as I had a great shirt or great jewelry, I felt good.”

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One purchase stands out in her memory: a diamond pendant, which she bought along with rapper Ludacris after they each arrived in the industry.

“Ludacris and I went to the jewelry store and wanted to buy these diamond pendants,” she recalled laughter. “I remember that it was as if I paid every month or every few weeks, and it took me a lot of time to pay it back, but that’s what we wanted.”

The pendant, which is still the owner today, serves as a reminder where she began and the way far she went.

Anthony’s financial wisdom, who has now, has not been developed overnight. A big a part of her foundation comes from her mother, who taught her the importance of saving from an early age. “When you don’t grow up with any money, of course it will be:” Save. Save. Save “because you don’t have much” – explained Anthony. “I never talked to my mother about investing. My mother even knew about dealing in a world with such small money that everything you knew is keeping a little, what you have.”

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This foundation served her well when her wealth developed. “It definitely helped me now as an adult and as an entrepreneur because I am more aware of how much money it spends.”

Motherhood transformed Anthony’s relationship with money much more. As the mother of her son Kiyan, who is preparing to launch studies, she became much more intended in financial planning.

“As a mother, you know automatically that you have to take care of someone else to change everything,” she said. “My son’s needs always appear before mine. So he changes how you look at money, how you spend money, how you save, how you invest, because you know that there is someone else you have to look after.”

Anthony decided to show her son vital money lessons when she navigates young adults, encouraging him to enjoy the fruit of his work carefully, while specializing in long -term development.

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“Take it a small amount and buy yourself something nice. You deserve it,” she says about the advice that she gives her son. “But then take the rest and put them on the savings account so that it can develop and you can earn more money.”

“There are so many ways now to make it look good without having to spend this money,” she offers young women who can feel pressure to keep up an expensive look. “Her practical advice:” As long as you are feeling confident and look, it’s not about buying the latest brand, the most costly thing. “

When it involves constructing long -term wealth, Anthony emphasizes patience and consistency. “I think it’s about patience and the pace of yourself. We want to grasp quickly, quick money, fast program,” she noted. “When I look at my finances, my financial growth took place for many years.”

When he moves a son preparing for College, the transition that he admits that “has a very difficult time”, Anthony is still specializing in his acting profession, while developing in production. And due to this stuff he stays well -established in its values, doing three things: following passion, making smart financial selections and finding peace in family connections.

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This article was originally published on : www.essence.com
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Salt-N-Pępa accuse UMG of minor retaliation in the fight for the property of “push it” a few months after Angie Stone claims against the same label

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Salt-N-Pepa

Salt-N-Pepa claims that the Universal Music Group punishes them amongst the legal battle to get masters to work their lives. Cheryl “Salt” James and Sandra “Pepa” Denton submitted a civil trial against the Global Music Corporation on May 19, looking for a command relief, declaratory relief and compensation, that are to exceed $ 1 million.

Deidra “DJ Spinderella” Roper isn’t part of the claim. She joined the group in 1987 and was released in 2019. Documents reviewed by Atlanta Black Star reveal that in 2022 the Rap duo “tried to use his rights” to take over the full property of his recordings through section 203 of the Act on the copyright of 1976.

Salt-n-Pępa
Salt-N-Pępa last performed as a trio during the route after the explosion! in 2020 (photo: @SaltnpePaOfficial/Instagram)

The law allows artists to regain mental property after 35 years. Salt-N-Pepa operates with UMG, respectively through its predecessors of the next plateau and London record records, from 1986 and 1992.

“The fees generated by their sound recordings are significant, generating about USD 1,000,000 in the last five months in the synchronization licenses themselves and generating tens of millions of dollars a year through all forms of exploitation,” says the notification.

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UMG “timely notifications of termination were served, but he’s accused of refusing to honor the request. Instead, female hip-hop pioneers claim that a malicious effort made of earnings was implemented and blocking their masters.

Salt-N-Pepa discography was faraway from evaporation services, resembling Spotify and Apple Music in the battle for the ownership of their music. Photos: Spotify and Apple music.

Therefore, most of their discography was taken from streaming services, resembling Spotify and Apple Music. “UMG pointed out that it would be a hostage of the plaintiff’s rights, even if it means refueling the plaintiff’s musical catalog and depriving fans of access to their work,” Salt-N-Pepa lawyers have invaded.

Pushing is dated on May 15, 2024 – on the same day lawyers say that some masters (“Hot, Cool & Vicious and” Solt with a Deadly Pepa “) would return to artists.

Additional reverse dates include November 2024 and March 2025 in the case of the recordings of “Black’s Magic”, “A Blitz of Salt-N-Pepa” on November 20, 2025, and around 2026 for “very needed”, “biggest hits”, “let’s talk about AIDS” and “Filly.”

They also argue: “UMG seems to take the position that he can unilaterally decide when and/or the recording artist has the right to solve. This is not the right, and the UMG has no power.” Social media users didn’t express support for corporations.

One user on Instagram wrote“What happens to musicians deceiving UMG over their masters and publishing their rights.” Another person commented“It looks like UMG must be dismantled.” Many fans noticed that the Salt-N-Pępa fight resembled Angie Stone’s claims that the corporation stole 4 a long time with their royalties.

The soul singer tragically passed after a automobile accident in March, just two months after she talked about financial dispute. Fan warned“Yes, we know how it is going to go, rest easy Angie .. Soon there will be a scandal or death.”

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UMG at the same time fights with the artist Drake in court. The rapper claims that the label sabotaged his earnings, participating in defamation and harassment during his rap with Kendrick Lamar.

(Tagstotransate) salt ‘n’ pepa

This article was originally published on : atlantablackstar.com
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